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From ritualization to secularization...

Chen, Zhi.

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From ritualization to secularization: The shaping of the "Book of Songs" (China).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	From ritualization to secularization: The shaping of the "Book of Songs" (China)./
作者:	Chen, Zhi.
面頁冊數:	483 p.
附註:	Source: Dissertation Abstracts International, Volume: 61-01, Section: A, page: 0188.
Contained By:	Dissertation Abstracts International61-01A.
標題:	Literature, Asian. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9939693
ISBN:	0599624140

From ritualization to secularization: The shaping of the "Book of Songs" (China).
Chen, Zhi.

From ritualization to secularization: The shaping of the "Book of Songs" (China). - 483 p.

Source: Dissertation Abstracts International, Volume: 61-01, Section: A, page: 0188.

Thesis (Ph.D.)--The University of Wisconsin - Madison, 1999.

There are two methodological conventions repeatedly applied in the study of the Book of Songs. One is the planimetrical treatment of the songs as a collection of poems of same era, the other is that the poems was seen as songs in one evolutionary culture. This dissertation aims to illustrate the potential of an interdisciplinary approach to this canonical anthology actually went through a collection process incorporating early poetic or musical works with different provenance from different times.

ISBN: 0599624140Subjects--Topical Terms:

1017599
Literature, Asian.

From ritualization to secularization: The shaping of the "Book of Songs" (China).
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245 1 0 $a From ritualization to secularization: The shaping of the "Book of Songs" (China).
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500 $a Source: Dissertation Abstracts International, Volume: 61-01, Section: A, page: 0188.
500 $a Supervisor: William H. Nienhauser, Jr.
502 $a Thesis (Ph.D.)--The University of Wisconsin - Madison, 1999.
520 $a There are two methodological conventions repeatedly applied in the study of the Book of Songs. One is the planimetrical treatment of the songs as a collection of poems of same era, the other is that the poems was seen as songs in one evolutionary culture. This dissertation aims to illustrate the potential of an interdisciplinary approach to this canonical anthology actually went through a collection process incorporating early poetic or musical works with different provenance from different times.
520 $a My method involves a paleographic and philological analysis of the perplexing graphs which designate sections of the Shih ching: "Nan", "Feng", "Ya" and "Sung". A syncretic study of the characteristics, structural principles, semantic stratification, graphical evolution and phonetic development of these graphs on a chronological base shows how the terms sung, ya, nan and feng evolved into sectional designations of the Book of Songs, and seeks to recover their initial meaning in different cultural backgrounds.
520 $a This dissertation also requires a reconstruction of some musicological institutions of early culture. My methodology involves a combination of archaeological reconstruction and a reconstruction enabled by literary materials.
520 $a In the light of these methods, the cultural clash between the Shang and the Chou, as far as music is concerned, led to two paths of acculturation. The rise of the ya music in the Kuanchung and its dominant applications interrupted the natural course of musical history in the central plains represented by the Shang culture. Throughout the Western Chou, the two cultures maintained their relative autonomy, though Shang elements had been absorbed by the Chou in their earliest encounters. The actual blending of the Shang and Chou musical cultures lasted for several centuries, and it was not completed until the Chou's gradual disintegration after its resettlement to the central plains. The Book of Songs, though anthologized in the Spring and Autumn times, incorporated musical and poetic works of variegated origins and pedigrees which is demonstrable in the works themselves in different sections.
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