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A study of "Seven Tunes Heard in Chi...

Pan, Xiao-Qiang.

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A study of "Seven Tunes Heard in China for Solo Cello" by Bright Sheng.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	A study of "Seven Tunes Heard in China for Solo Cello" by Bright Sheng./
作者:	Pan, Xiao-Qiang.
面頁冊數:	148 p.
附註:	Source: Dissertation Abstracts International, Volume: 64-11, Section: A, page: 3900.
Contained By:	Dissertation Abstracts International64-11A.
標題:	Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoeng/servlet/advanced?query=3110910

A study of "Seven Tunes Heard in China for Solo Cello" by Bright Sheng.
Pan, Xiao-Qiang.

A study of "Seven Tunes Heard in China for Solo Cello" by Bright Sheng. - 148 p.

Source: Dissertation Abstracts International, Volume: 64-11, Section: A, page: 3900.

Thesis (D.A.)--University of Northern Colorado, 2003.

<italic>Seven Tunes Heard in China for Solo Cello</italic> was composed in 1995 by Bright Sheng, one of the most active Chinese-American composers in the United States. Its artistic value and exquisite compositional techniques have rendered it a masterpiece within the unaccompanied repertoire for the violoncello.Subjects--Topical Terms:

516178
Music.

A study of "Seven Tunes Heard in China for Solo Cello" by Bright Sheng.
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100 1 $a Pan, Xiao-Qiang. $3 1944782
245 1 0 $a A study of "Seven Tunes Heard in China for Solo Cello" by Bright Sheng.
300 $a 148 p.
500 $a Source: Dissertation Abstracts International, Volume: 64-11, Section: A, page: 3900.
500 $a Adviser: James A. Fittz.
502 $a Thesis (D.A.)--University of Northern Colorado, 2003.
520 $a <italic>Seven Tunes Heard in China for Solo Cello</italic> was composed in 1995 by Bright Sheng, one of the most active Chinese-American composers in the United States. Its artistic value and exquisite compositional techniques have rendered it a masterpiece within the unaccompanied repertoire for the violoncello.
520 $a This study of <italic>Seven Tunes Heard in China for Solo Cello</italic> begins with a biographical description of the composer's childhood, education, the impact of the Cultural Revolution, his Qinhai period, and his musical education and career in the United States. It further provides information concerning the sources of the seven tunes, including an explication of the Chinese traditional modes, the primary folk tunes and songs, lyrics, and related geographic and historical information. There follows an analysis which explores the melody, harmony, rhythm, form, and compositional techniques of the work. The Chinese string instrument, <italic>Er-hu</italic>, and its performance methods are introduced in order to provide information to help performers accommodate the unique Chinese performance style. The Appendix provides a list of Bright Sheng's compositions.
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773 0 $t Dissertation Abstracts International $g 64-11A.
790 1 0 $a Fittz, James A., $e advisor
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792 $a 2003
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoeng/servlet/advanced?query=3110910