東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Chinese musical language interpreted...

Guo, Xin.

FindBook

Google Book

Amazon

博客來

Chinese musical language interpreted by western idioms: Fusion process in the instrumental works by Chen Yi.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Chinese musical language interpreted by western idioms: Fusion process in the instrumental works by Chen Yi./
作者:	Guo, Xin.
面頁冊數:	301 p.
附註:	Source: Dissertation Abstracts International, Volume: 64-10, Section: A, page: 3527.
Contained By:	Dissertation Abstracts International64-10A.
標題:	Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoeng/servlet/advanced?query=3109267

Chinese musical language interpreted by western idioms: Fusion process in the instrumental works by Chen Yi.
Guo, Xin.

Chinese musical language interpreted by western idioms: Fusion process in the instrumental works by Chen Yi. - 301 p.

Source: Dissertation Abstracts International, Volume: 64-10, Section: A, page: 3527.

Thesis (Ph.D.)--The Florida State University, 2002.

The purpose of this study is to provide an analysis of works for Western instruments by the Chinese composer Chen Yi (b. 1953). In recent years, non-Western composers' practice of incorporating non-Western traditional musical concepts and materials with Western contemporary post-tonal compositional techniques has received more serious scholarly research that includes efforts at analysis. The methods of fusion are varied from work to work as well as from composer to composer, presenting a unique set of challenges for musical analysis. By incorporating recent achievements of music theorists, composers, musicologists and ethnomusicologists, this study proposes a multidimensional approach to the analysis of Chen Yi's music for Western instruments. The analytical procedures are informed by Richard Waterman's theory of syncretism and Peter Chang's research on composers' reinterpretation of cultural elements, which serve to explore Chen Yi's cultural and educational background in relation to her composition. A set of factors including pitch logic, time, sound color, texture, process, performance ritual, and parody or historicism, proposed by Elliott Schwartz and Daniel Godfrey, are examined to discover underlying organizational principles.Subjects--Topical Terms:

516178
Music.

Chinese musical language interpreted by western idioms: Fusion process in the instrumental works by Chen Yi.
LDR:03371nmm 2200277 4500 001 1856993
005 20040806102458.5
008 130614s2002 eng d
035 $a (UnM)AAI3109267
035 $a AAI3109267
040 $a UnM $c UnM
100 1 $a Guo, Xin. $3 1944739
245 1 0 $a Chinese musical language interpreted by western idioms: Fusion process in the instrumental works by Chen Yi.
300 $a 301 p.
500 $a Source: Dissertation Abstracts International, Volume: 64-10, Section: A, page: 3527.
500 $a Major Professor: James Mathes.
502 $a Thesis (Ph.D.)--The Florida State University, 2002.
520 $a The purpose of this study is to provide an analysis of works for Western instruments by the Chinese composer Chen Yi (b. 1953). In recent years, non-Western composers' practice of incorporating non-Western traditional musical concepts and materials with Western contemporary post-tonal compositional techniques has received more serious scholarly research that includes efforts at analysis. The methods of fusion are varied from work to work as well as from composer to composer, presenting a unique set of challenges for musical analysis. By incorporating recent achievements of music theorists, composers, musicologists and ethnomusicologists, this study proposes a multidimensional approach to the analysis of Chen Yi's music for Western instruments. The analytical procedures are informed by Richard Waterman's theory of syncretism and Peter Chang's research on composers' reinterpretation of cultural elements, which serve to explore Chen Yi's cultural and educational background in relation to her composition. A set of factors including pitch logic, time, sound color, texture, process, performance ritual, and parody or historicism, proposed by Elliott Schwartz and Daniel Godfrey, are examined to discover underlying organizational principles.
520 $a The analysis of selected instrumental works by Chen Yi reveals a process by which she focuses on four aspects of musical structure: (1) pitch; (2) rhythm and proportion as determinants of form; (3) timbre; and (4) textural process that governs the placement and duration of events in time. Related processes reveal a personal style that can be described as a Chinese-based musical language interpreted by Western idioms.
520 $a The first two chapters provide an overview of Western and non-Western composers' approaches to cross-cultural fusion in general and Chinese composers' approaches in particular. The second chapter also provides biographic information on Chen Yi with observations on how her cultural and educational background influences her attitude toward composition. The subsequent four chapters present detailed analyses of Chen Yi's nine instrumental compositions with an emphasis on underlying organizational principles. The final chapter summarizes the characteristics of Chen Yi's personal style and the evolution of her concepts of stylistic fusion and related techniques, and evaluates their significance with respect to successful fusion and to future directions of music.
590 $a School code: 0071.
650 4 $a Music. $3 516178
690 $a 0413
710 2 0 $a The Florida State University. $3 1017727
773 0 $t Dissertation Abstracts International $g 64-10A.
790 1 0 $a Mathes, James, $e advisor
790 $a 0071
791 $a Ph.D.
792 $a 2002
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoeng/servlet/advanced?query=3109267