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Romanticism, travel, and the rhetori...

Waters, John Paul.

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Romanticism, travel, and the rhetorics of an appropriate self in Keats and Wordsworth.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Romanticism, travel, and the rhetorics of an appropriate self in Keats and Wordsworth./
作者:	Waters, John Paul.
面頁冊數:	323 p.
附註:	Source: Dissertation Abstracts International, Volume: 56-05, Section: A, page: 1799.
Contained By:	Dissertation Abstracts International56-05A.
標題:	Literature, English. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9533022

Romanticism, travel, and the rhetorics of an appropriate self in Keats and Wordsworth.
Waters, John Paul.

Romanticism, travel, and the rhetorics of an appropriate self in Keats and Wordsworth. - 323 p.

Source: Dissertation Abstracts International, Volume: 56-05, Section: A, page: 1799.

Thesis (Ph.D.)--Duke University, 1995.

This dissertation examines the conjunction of rhetorics of individual development with rhetorics of national development in travel accounts--letters, diaries, and poems--by Wordsworth and Keats. I situate the travel writing of both poets in a material and ideological context of cultural interaction, principally between Scotland and England, so as to understand the manner in which travel within Britain functioned in the professional career of the Romantic poet. The lyrics that result from these travels I read as complex individual negotiations of cultural identity and cultural difference. Chapter One, "Material Influence: An Introduction," argues that the constriction of notions of influence to textual borrowings and patrilineal struggles for authority has contributed to an idealization of the poetic career, one contradictory in that it relies on a notion of innate individual genius that is nonetheless usually described as a process of development and socialization. I counter that idealization by using the issue of travel--conceived as a determinate material practice and as an educational apprenticeship--to explore a paradigmatic instance of poetic influence, that of Wordsworth on Keats. I supplement critical considerations of that relationship by arguing that Keats's reading of Wordsworth is conditioned by an argument, essentially political in substance and terminology, about the relation between the form of life and the form of literature in an increasingly dynamic and stratified society.Subjects--Topical Terms:

1017709
Literature, English.

Romanticism, travel, and the rhetorics of an appropriate self in Keats and Wordsworth.
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245 1 0 $a Romanticism, travel, and the rhetorics of an appropriate self in Keats and Wordsworth.
300 $a 323 p.
500 $a Source: Dissertation Abstracts International, Volume: 56-05, Section: A, page: 1799.
500 $a Supervisor: Robert F. Gleckner.
502 $a Thesis (Ph.D.)--Duke University, 1995.
520 $a This dissertation examines the conjunction of rhetorics of individual development with rhetorics of national development in travel accounts--letters, diaries, and poems--by Wordsworth and Keats. I situate the travel writing of both poets in a material and ideological context of cultural interaction, principally between Scotland and England, so as to understand the manner in which travel within Britain functioned in the professional career of the Romantic poet. The lyrics that result from these travels I read as complex individual negotiations of cultural identity and cultural difference. Chapter One, "Material Influence: An Introduction," argues that the constriction of notions of influence to textual borrowings and patrilineal struggles for authority has contributed to an idealization of the poetic career, one contradictory in that it relies on a notion of innate individual genius that is nonetheless usually described as a process of development and socialization. I counter that idealization by using the issue of travel--conceived as a determinate material practice and as an educational apprenticeship--to explore a paradigmatic instance of poetic influence, that of Wordsworth on Keats. I supplement critical considerations of that relationship by arguing that Keats's reading of Wordsworth is conditioned by an argument, essentially political in substance and terminology, about the relation between the form of life and the form of literature in an increasingly dynamic and stratified society.
520 $a Chapter two, "Temporal Subjects: Wordsworth in Scotland and the Spatial Dimensions of Lyric Form," is a consideration of Wordsworth's "Memorials of a Tour in Scotland, 1803," a section of his 1807 Poems, in Two Volumes. I situate those poems in the tradition of enlightenment anthropological thought that described landscapes and their inhabitants in a hierarchical rhetoric of universal development. The poems of Wordsworth's Scottish tour constructed a resilient representational model that collapsed within an individual frame of reference the spatial and temporal issues (and their complex political implications) that are occasioned by travel. Chapter Three, "Reputation and the Politics of Influence: Political and Aesthetic Controversy in England and the Example of Wordsworth, 1807-1818" reconstructs a bitter political and ideological quarrel over the legacy of Burns.
520 $a The terms of the argument about Burns provided the conceptual and critical vocabulary in which Keats engaged with the figure of Wordsworth. In Chapter four, "Keats, Wordsworth, and the Geography of Individual Development," and in Chapter Five, "Keats in Scotland and the Performance of Authorship," I read Keats's letters and poems from the Spring of 1818 and from the Scottish tour that Summer, seeing in Keats's writing about Wordsworth, about Burns, and about Scotland and Ireland generally, a decidedly political investigation of the poetic vocation.
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650 4 $a History, European. $3 1018076
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