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Des moulins pour des geants. Essai s...

Reuland, Christophe Philippe.

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Des moulins pour des geants. Essai sur l'imagination dans l'oeuvre romanesque obscene du marquis de Sade (French text).

Record Type:	Electronic resources : Monograph/item
Title/Author:	Des moulins pour des geants. Essai sur l'imagination dans l'oeuvre romanesque obscene du marquis de Sade (French text)./
Author:	Reuland, Christophe Philippe.
Description:	249 p.
Notes:	Source: Dissertation Abstracts International, Volume: 64-10, Section: A, page: 3704.
Contained By:	Dissertation Abstracts International64-10A.
Subject:	Literature, Romance. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3107566

Des moulins pour des geants. Essai sur l'imagination dans l'oeuvre romanesque obscene du marquis de Sade (French text).
Reuland, Christophe Philippe.

Des moulins pour des geants. Essai sur l'imagination dans l'oeuvre romanesque obscene du marquis de Sade (French text). - 249 p.

Source: Dissertation Abstracts International, Volume: 64-10, Section: A, page: 3704.

Thesis (Ph.D.)--The Johns Hopkins University, 2004.

The idea of imagination in Sade's work is constructed around two distinct principles: imagination is both the source of all error and the faculty with which man can free himself from certain preconceptions that prevent him from fully realizing his physical potential.Subjects--Topical Terms:

1019014
Literature, Romance.

Des moulins pour des geants. Essai sur l'imagination dans l'oeuvre romanesque obscene du marquis de Sade (French text).
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035 $a AAI3107566
040 $a UnM $c UnM
100 1 $a Reuland, Christophe Philippe. $3 1943598
245 1 0 $a Des moulins pour des geants. Essai sur l'imagination dans l'oeuvre romanesque obscene du marquis de Sade (French text).
300 $a 249 p.
500 $a Source: Dissertation Abstracts International, Volume: 64-10, Section: A, page: 3704.
500 $a Advisers: Wilda C. Anderson; Alain Grosrichard.
502 $a Thesis (Ph.D.)--The Johns Hopkins University, 2004.
520 $a The idea of imagination in Sade's work is constructed around two distinct principles: imagination is both the source of all error and the faculty with which man can free himself from certain preconceptions that prevent him from fully realizing his physical potential.
520 $a Imagination as an alienating process creates gigantic metaphysical illusions which in turn give rise to “<italic>romanesque</italic>” fables and an aesthetic meaning that the history of ideas has rendered obsolete. The alienating imagination represents an immobility of thought.
520 $a The libertine element of imagination, on the other hand, brings into being the “physical” concepts of nature, energy, chance, internal sensibility, and transmutation. The libertine imagination introduces movement into thought. From this perspective, the idea of transmutation corresponds as much to movement in nature as it does to the obscene Sadean novel's renewal of the traditional novel. The Sadean novel is the form that nature takes through the libertine imagination in order to express its autonomy and reveal the secrets of the human heart.
520 $a Parodoxically, by representing themselves as God's equals, libertines give themselves the means by which to realize the impossible crime, which in turn becomes the characteristic mark and dynamic of criminal desire. Their transformation into God's equals can only occur through the process of enunciation, which is made possible solely through narrative strategies. These strategies are reliant upon the author's self-determination as a figure from “heaven” (“Ciel”) which in turn provides him with an aesthetic system to accomplish what he considers to be the chief work of philosophy.
520 $a The original contribution of this dissertation is two-fold. First, it reintroduces Sade's obscene novelistic writing into the history of the novel, as the author himself would have wished. Second, this study sets out two theoretical models for considering the idea of imagination: an acoustic model which functions from the perspective of narration and enunciation; and the dialectical model, based upon both the antagonism and complementarity of these two distinct principles of imagination.
520 $a It is the responsibility of the imagination to fight its own errors. It is the responsibility of the novel to “pulverize” the “romanesque”.
590 $a School code: 0098.
650 4 $a Literature, Romance. $3 1019014
690 $a 0313
710 2 0 $a The Johns Hopkins University. $3 1017431
773 0 $t Dissertation Abstracts International $g 64-10A.
790 1 0 $a Anderson, Wilda C., $e advisor
790 1 0 $a Grosrichard, Alain, $e advisor
790 $a 0098
791 $a Ph.D.
792 $a 2004
793 $a French
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3107566