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Breton song traditions and the case ...

Franz, Natalie Anne.

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Breton song traditions and the case of the gwerziou : Women's voices, women's lives (France).

Record Type:	Electronic resources : Monograph/item
Title/Author:	Breton song traditions and the case of the gwerziou : Women's voices, women's lives (France)./
Author:	Franz, Natalie Anne.
Description:	232 p.
Notes:	Source: Dissertation Abstracts International, Volume: 64-05, Section: A, page: 1792.
Contained By:	Dissertation Abstracts International64-05A.
Subject:	Folklore. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3091557

Breton song traditions and the case of the gwerziou : Women's voices, women's lives (France).
Franz, Natalie Anne.

Breton song traditions and the case of the gwerziou : Women's voices, women's lives (France). - 232 p.

Source: Dissertation Abstracts International, Volume: 64-05, Section: A, page: 1792.

Thesis (Ph.D.)--Harvard University, 2003.

This thesis examines a selection of nineteenth-century transcriptions of traditional Breton songs, focusing particularly on the <italic>gwerzioù </italic> as an oral tradition associated primarily with women singers and examining some of the ways in which the interests and concerns of women may be reflected in the content of the songs they sing. In order to offer a broader context for a consideration of the specific characteristics of the <italic> gwerzioù</italic>—a song genre often equated with ballads—this thesis also offers an overview of the <italic>sonioù</italic>, a Breton song genre generally equated with lyric song. The discussion reviews some of the ways in which the themes, concerns, and imagery of the <italic>son </italic> and <italic>gwerz</italic> narratives both differ and overlap, and considers the extent to which these song traditions may be related to their social context, especially as they may reflect some of the values, tensions, and conflicts of quotidian life in pre-twentieth-century, rural Breton communities. Although relying primarily on François-Marie Luzel's nineteenth-century collections of <italic>gwerzioù</italic> and <italic>sonioù </italic>, this thesis also draws upon the research of Donatien Laurent, particularly concerning his twentieth-century collection of <italic>Loeiz ar Ravallec gwerz</italic> narratives. Primary matters of consideration include the qualification of <italic>gwerz</italic> narratives by traditional Breton singers and audiences as representing expressions of “truth,” the genre's consistent articulation of profound acts of transgression, and an examination of the <italic>gwerzioù</italic> as a possible forum for addressing and redressing such transgressions with a possible concomitant goal of enacting popular justice.Subjects--Topical Terms:

528224
Folklore.

Breton song traditions and the case of the gwerziou : Women's voices, women's lives (France).
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035 $a (UnM)AAI3091557
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100 1 $a Franz, Natalie Anne. $3 1942902
245 1 0 $a Breton song traditions and the case of the gwerziou : Women's voices, women's lives (France).
300 $a 232 p.
500 $a Source: Dissertation Abstracts International, Volume: 64-05, Section: A, page: 1792.
500 $a Adviser: Patrick K. Ford.
502 $a Thesis (Ph.D.)--Harvard University, 2003.
520 $a This thesis examines a selection of nineteenth-century transcriptions of traditional Breton songs, focusing particularly on the <italic>gwerzioù </italic> as an oral tradition associated primarily with women singers and examining some of the ways in which the interests and concerns of women may be reflected in the content of the songs they sing. In order to offer a broader context for a consideration of the specific characteristics of the <italic> gwerzioù</italic>—a song genre often equated with ballads—this thesis also offers an overview of the <italic>sonioù</italic>, a Breton song genre generally equated with lyric song. The discussion reviews some of the ways in which the themes, concerns, and imagery of the <italic>son </italic> and <italic>gwerz</italic> narratives both differ and overlap, and considers the extent to which these song traditions may be related to their social context, especially as they may reflect some of the values, tensions, and conflicts of quotidian life in pre-twentieth-century, rural Breton communities. Although relying primarily on François-Marie Luzel's nineteenth-century collections of <italic>gwerzioù</italic> and <italic>sonioù </italic>, this thesis also draws upon the research of Donatien Laurent, particularly concerning his twentieth-century collection of <italic>Loeiz ar Ravallec gwerz</italic> narratives. Primary matters of consideration include the qualification of <italic>gwerz</italic> narratives by traditional Breton singers and audiences as representing expressions of “truth,” the genre's consistent articulation of profound acts of transgression, and an examination of the <italic>gwerzioù</italic> as a possible forum for addressing and redressing such transgressions with a possible concomitant goal of enacting popular justice.
590 $a School code: 0084.
650 4 $a Folklore. $3 528224
650 4 $a Women's Studies. $3 1017481
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710 2 0 $a Harvard University. $3 528741
773 0 $t Dissertation Abstracts International $g 64-05A.
790 1 0 $a Ford, Patrick K., $e advisor
790 $a 0084
791 $a Ph.D.
792 $a 2003
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3091557