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14th century English class structure...
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Ogden, Beckette Anne.
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14th century English class structure in relation to fashion: A costume design analysis for "Two Planks and a Passion" (Anthony Minghella).
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
14th century English class structure in relation to fashion: A costume design analysis for "Two Planks and a Passion" (Anthony Minghella)./
作者:
Ogden, Beckette Anne.
面頁冊數:
34 p.
附註:
Source: Masters Abstracts International, Volume: 42-02, page: 0365.
Contained By:
Masters Abstracts International42-02.
標題:
Theater. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1416467
14th century English class structure in relation to fashion: A costume design analysis for "Two Planks and a Passion" (Anthony Minghella).
Ogden, Beckette Anne.
14th century English class structure in relation to fashion: A costume design analysis for "Two Planks and a Passion" (Anthony Minghella).
- 34 p.
Source: Masters Abstracts International, Volume: 42-02, page: 0365.
Thesis (M.F.A.)--California State University, Long Beach, 2003.
The purpose of this project report is to investigate class and social structure of 14th century England through fashion and how it relates to the costume design for Anthony Minghella's drama <italic>Two Planks and a Passion </italic>, staged at the Edison Theatre in 1999.Subjects--Topical Terms:
522973
Theater.
14th century English class structure in relation to fashion: A costume design analysis for "Two Planks and a Passion" (Anthony Minghella).
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I chose to divide the characters in Minghella's play into three distinct social classes, the aristocracy, the merchant class and the peasants. I used social, political and economic elements of 14th century England to help define and delineate these three groups.
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Minghella's play, set in 1392 England, takes place in York during the preparations for the yearly Passion Plays. King Richard and Queen Anne quickly become embroiled in the political intrigues of the various social classes staging the dramas.
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The costume design for this production attempted to clearly delineate three distinct 14th century English social groups, in order to define the characters of the drama and clarify their relationships to one another.
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