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Dressing heroes: The costume design ...
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Johnson, Amber Elizabeth.
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Dressing heroes: The costume design of "willie, mickey and the duke" (Howard Burman, Matt Vinson).
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Dressing heroes: The costume design of "willie, mickey and the duke" (Howard Burman, Matt Vinson)./
作者:
Johnson, Amber Elizabeth.
面頁冊數:
41 p.
附註:
Source: Masters Abstracts International, Volume: 42-02, page: 0364.
Contained By:
Masters Abstracts International42-02.
標題:
Theater. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1416446
Dressing heroes: The costume design of "willie, mickey and the duke" (Howard Burman, Matt Vinson).
Johnson, Amber Elizabeth.
Dressing heroes: The costume design of "willie, mickey and the duke" (Howard Burman, Matt Vinson).
- 41 p.
Source: Masters Abstracts International, Volume: 42-02, page: 0364.
Thesis (M.F.A.)--California State University, Long Beach, 2003.
This thesis project report explores the process of developing and implementing the costume design for <italic>willie, mickey and the duke</italic>, an original doo-wop musical by Howard Burman (book and lyrics) and Matt Vinson (music). The production was held at the Edison Theatre and ran from November 1<super> st</super> through November 23<super>rd</super>, 2002. A recurring theme in the production, both from a design and directorial perspective, was the power of the myth of the perfect idol. During the 1950s projecting an image of perfection was vital to a feeling of security against an unstable political climate. Society finds perfection in its heroes. The focus of the costume design was to further this belief in the myth of perfect heroes.Subjects--Topical Terms:
522973
Theater.
Dressing heroes: The costume design of "willie, mickey and the duke" (Howard Burman, Matt Vinson).
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This thesis project report explores the process of developing and implementing the costume design for <italic>willie, mickey and the duke</italic>, an original doo-wop musical by Howard Burman (book and lyrics) and Matt Vinson (music). The production was held at the Edison Theatre and ran from November 1<super> st</super> through November 23<super>rd</super>, 2002. A recurring theme in the production, both from a design and directorial perspective, was the power of the myth of the perfect idol. During the 1950s projecting an image of perfection was vital to a feeling of security against an unstable political climate. Society finds perfection in its heroes. The focus of the costume design was to further this belief in the myth of perfect heroes.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1416446
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