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Meant to be read: Typesetting princ...

Bennett, David R.

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Meant to be read: Typesetting principles for the digital age.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Meant to be read: Typesetting principles for the digital age./
作者:	Bennett, David R.
面頁冊數:	48 p.
附註:	Source: Masters Abstracts International, Volume: 41-06, page: 1544.
Contained By:	Masters Abstracts International41-06.
標題:	Design and Decorative Arts. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1414319

Meant to be read: Typesetting principles for the digital age.
Bennett, David R.

Meant to be read: Typesetting principles for the digital age. - 48 p.

Source: Masters Abstracts International, Volume: 41-06, page: 1544.

Thesis (M.A.)--Lamar University - Beaumont, 2002.

The graphic design industry, as well as the majority of other industries, has been plagued by challenges due to technological advancements. The twentieth century disciplines in early commercial art required masterful skill in order to produce aesthetically pleasing and effective design using, what graphic designers now consider, archaic instruments: rapidograph pens, T-squares, parallel bars, proportion wheels, haberules, transfer type, etc. When designers needed manuscript text (copy) “typeset,” they composed the text on a typewriter and specified instructions for it by hand. Artists handed over the specified text pages to professional typesetters who used processors, such as the <italic>Varityper</italic>, to produce camera-ready paper positives or film negatives for paste-up in mechanicals. Until the late 1980's, this practice was common, time consuming, and expensive.Subjects--Topical Terms:

1024640
Design and Decorative Arts.

Meant to be read: Typesetting principles for the digital age.
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035 $a (UnM)AAI1414319
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040 $a UnM $c UnM
100 1 $a Bennett, David R. $3 1942601
245 1 0 $a Meant to be read: Typesetting principles for the digital age.
300 $a 48 p.
500 $a Source: Masters Abstracts International, Volume: 41-06, page: 1544.
500 $a Adviser: Kurt Dyrhaug.
502 $a Thesis (M.A.)--Lamar University - Beaumont, 2002.
520 $a The graphic design industry, as well as the majority of other industries, has been plagued by challenges due to technological advancements. The twentieth century disciplines in early commercial art required masterful skill in order to produce aesthetically pleasing and effective design using, what graphic designers now consider, archaic instruments: rapidograph pens, T-squares, parallel bars, proportion wheels, haberules, transfer type, etc. When designers needed manuscript text (copy) “typeset,” they composed the text on a typewriter and specified instructions for it by hand. Artists handed over the specified text pages to professional typesetters who used processors, such as the <italic>Varityper</italic>, to produce camera-ready paper positives or film negatives for paste-up in mechanicals. Until the late 1980's, this practice was common, time consuming, and expensive.
520 $a Personal computers have now replaced the typesetter. The professional input and output of text have been sacrificed due to the computer, and designers still have much to learn regarding the proper rules for using digital type. This document will provide ample instruction for professional typesetting, and it will describe why professional typesetting should become the responsibility of every graphic designer.
590 $a School code: 0424.
650 4 $a Design and Decorative Arts. $3 1024640
690 $a 0389
710 2 0 $a Lamar University - Beaumont. $3 1020444
773 0 $t Masters Abstracts International $g 41-06.
790 1 0 $a Dyrhaug, Kurt, $e advisor
790 $a 0424
791 $a M.A.
792 $a 2002
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1414319