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Representing social mobility in the ...

McGunigle, Sharon Therese.

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Representing social mobility in the costume design for "His Majesty Mr. Kean" (Charles Higham).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Representing social mobility in the costume design for "His Majesty Mr. Kean" (Charles Higham)./
作者:	McGunigle, Sharon Therese.
面頁冊數:	67 p.
附註:	Source: Masters Abstracts International, Volume: 41-05, page: 1241.
Contained By:	Masters Abstracts International41-05.
標題:	Theater. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1413255

Representing social mobility in the costume design for "His Majesty Mr. Kean" (Charles Higham).
McGunigle, Sharon Therese.

Representing social mobility in the costume design for "His Majesty Mr. Kean" (Charles Higham). - 67 p.

Source: Masters Abstracts International, Volume: 41-05, page: 1241.

Thesis (M.F.A.)--California State University, Long Beach, 2002.

This report provides an analysis of the costume design for the premier of “His Majesty Mr. Kean,” written by Charles Higham. It was produced by the California Repertory Company at California State University, Long Beach, in April and May of 1998. Since Edmund Kean was a historical figure, the costume design was examined within the historical and social context of the period in which he lived. Focusing specifically on how the social hierarchy of the period was represented within the play, this study was an analysis of the elements used to symbolize social status, demonstrating how the costume design reflected the social mobility of the central character, Edmund Kean.Subjects--Topical Terms:

522973
Theater.

Representing social mobility in the costume design for "His Majesty Mr. Kean" (Charles Higham).
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245 1 0 $a Representing social mobility in the costume design for "His Majesty Mr. Kean" (Charles Higham).
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502 $a Thesis (M.F.A.)--California State University, Long Beach, 2002.
520 $a This report provides an analysis of the costume design for the premier of “His Majesty Mr. Kean,” written by Charles Higham. It was produced by the California Repertory Company at California State University, Long Beach, in April and May of 1998. Since Edmund Kean was a historical figure, the costume design was examined within the historical and social context of the period in which he lived. Focusing specifically on how the social hierarchy of the period was represented within the play, this study was an analysis of the elements used to symbolize social status, demonstrating how the costume design reflected the social mobility of the central character, Edmund Kean.
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