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Progressions: Visual responses of th...
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Furniss, George M., III.
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Progressions: Visual responses of the gaze towards imagery in motion.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Progressions: Visual responses of the gaze towards imagery in motion./
作者:
Furniss, George M., III.
面頁冊數:
29 p.
附註:
Source: Masters Abstracts International, Volume: 41-05, page: 1229.
Contained By:
Masters Abstracts International41-05.
標題:
Fine Arts. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1413016
Progressions: Visual responses of the gaze towards imagery in motion.
Furniss, George M., III.
Progressions: Visual responses of the gaze towards imagery in motion.
- 29 p.
Source: Masters Abstracts International, Volume: 41-05, page: 1229.
Thesis (M.F.A.)--Mississippi State University, 2003.
<italic>Progressions</italic> focuses on the construction, deconstruction, and manipulation of imagery in motion, how an individual observes and gazes at movements recorded from the camera's perspective, and how this prolonged gazing affects a person experiencing these instances within a specific environment. <italic> Progressions</italic> is an investigation of those differences that lie between real and virtual movement impressed upon the viewer as one experiences this constructed space. The imagery is a mesh of subjects recorded through various motion capturing techniques, which are then edited together utilizing the multitude of historical strategies used in time-based media, such as spatial montage, speed manipulation, looping, exposure variants, etc. This investigation is further aimed at learning how these movements creatively affect the way we see and feel, as well as how they manipulate one another. The incorporation of digital video imagery and projection, along with ideas and interpretations concerning ‘the screen’ and numerous discussions and theories on ‘the gaze’, will create a three-dimensional environment aimed at challenging the way we experience and interact with movement through space.Subjects--Topical Terms:
891065
Fine Arts.
Progressions: Visual responses of the gaze towards imagery in motion.
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Source: Masters Abstracts International, Volume: 41-05, page: 1229.
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<italic>Progressions</italic> focuses on the construction, deconstruction, and manipulation of imagery in motion, how an individual observes and gazes at movements recorded from the camera's perspective, and how this prolonged gazing affects a person experiencing these instances within a specific environment. <italic> Progressions</italic> is an investigation of those differences that lie between real and virtual movement impressed upon the viewer as one experiences this constructed space. The imagery is a mesh of subjects recorded through various motion capturing techniques, which are then edited together utilizing the multitude of historical strategies used in time-based media, such as spatial montage, speed manipulation, looping, exposure variants, etc. This investigation is further aimed at learning how these movements creatively affect the way we see and feel, as well as how they manipulate one another. The incorporation of digital video imagery and projection, along with ideas and interpretations concerning ‘the screen’ and numerous discussions and theories on ‘the gaze’, will create a three-dimensional environment aimed at challenging the way we experience and interact with movement through space.
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