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Representation of women and dramatiz...

Liu, Wen.

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Representation of women and dramatization of ideology in modern Chinese literature (Lu Xun, Ding Ling, Li Ang, Wei Hui, He Yi).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Representation of women and dramatization of ideology in modern Chinese literature (Lu Xun, Ding Ling, Li Ang, Wei Hui, He Yi)./
作者:	Liu, Wen.
面頁冊數:	198 p.
附註:	Source: Dissertation Abstracts International, Volume: 64-08, Section: A, page: 2896.
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3102175

Representation of women and dramatization of ideology in modern Chinese literature (Lu Xun, Ding Ling, Li Ang, Wei Hui, He Yi).
Liu, Wen.

Representation of women and dramatization of ideology in modern Chinese literature (Lu Xun, Ding Ling, Li Ang, Wei Hui, He Yi). - 198 p.

Source: Dissertation Abstracts International, Volume: 64-08, Section: A, page: 2896.

Thesis (Ph.D.)--University of Oregon, 2003.

This dissertation is a study of the ideological representation of women in some selected texts in modern Chinese literature and culture. In this study, the representation of women is not treated as a realistic or naturalistic depiction of women characterized by semiological transparency, but as a literary construction. The representation of women often becomes the dramatization of ideology.

Representation of women and dramatization of ideology in modern Chinese literature (Lu Xun, Ding Ling, Li Ang, Wei Hui, He Yi).
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100 1 $a Liu, Wen. $3 1941487
245 1 0 $a Representation of women and dramatization of ideology in modern Chinese literature (Lu Xun, Ding Ling, Li Ang, Wei Hui, He Yi).
300 $a 198 p.
500 $a Source: Dissertation Abstracts International, Volume: 64-08, Section: A, page: 2896.
500 $a Adviser: Wendy Larson.
502 $a Thesis (Ph.D.)--University of Oregon, 2003.
520 $a This dissertation is a study of the ideological representation of women in some selected texts in modern Chinese literature and culture. In this study, the representation of women is not treated as a realistic or naturalistic depiction of women characterized by semiological transparency, but as a literary construction. The representation of women often becomes the dramatization of ideology.
520 $a With the representative examples, I suggest that the representation of women dramatizes a variety of social ideological issues: the utopian desire for modernity in the May Fourth period in Lu Xun's <italic>Regret for the Past</italic>, the competing ideological struggles staged in the female body in Ding Ling's <italic>Miss Sophia's Diary</italic>, the imagined community of a new nation state in the form of an ethnic woman in Li Ang's <italic> Labyrinthine Garden</italic>, the demand for social plurality and transgression against socialist norms and institutions through the defiant and rebellious women in He Yi's film <italic>Postman</italic>, and the postmodern culture represented by the <italic>linglei</italic> (alternative) woman who adopts a bodily writing in Wei Hui's <italic>Shanghai Baby</italic>.
520 $a In these texts, the demonstration of ideological issues takes the form of representation of women for several reasons: the representation of women expresses what cannot be expressed directly and articulates a new identity that the male characters are trying to construct; women and social ideals can both embody male desires. In consequence, the represented femininity becomes part of the definition of the ideological issues. The desirability of women is based on and assessed by the extent it satisfies the male's need to construct male subjectivity
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3102175