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Intertexts for a national poetry: T...

Brink, Dean Anthony.

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Intertexts for a national poetry: The ideological origins of shintaishi (Japan).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Intertexts for a national poetry: The ideological origins of shintaishi (Japan)./
作者:	Brink, Dean Anthony.
面頁冊數:	391 p.
附註:	Source: Dissertation Abstracts International, Volume: 64-01, Section: A, page: 0148.
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3077043
ISBN:	0493976914

Intertexts for a national poetry: The ideological origins of shintaishi (Japan).
Brink, Dean Anthony.

Intertexts for a national poetry: The ideological origins of shintaishi (Japan). - 391 p.

Source: Dissertation Abstracts International, Volume: 64-01, Section: A, page: 0148.

Thesis (Ph.D.)--The University of Chicago, 2003.

This dissertation analyzes the formation of <italic>shintaishi</italic> (new-style poetry) in terms of ideological investments by way of a broad range of Intertexts, so as to provide a means of discussing literary and satirical verse of the late Tokugawa and Meiji period as historically continuous and not inherently bound to a “Westernizing” trajectory and ideological shape, even though <italic>shintaishi</italic> were ostensibly inspired primarily by English poetry. The invention of <italic>shintaishi</italic> as a new poetic genre fitting the new nation not only reflects the embryonic ideologies of the day, but also participates fully in the process of publicly thinking through the consolidation of a dominant Meiji state ideology.

ISBN: 0493976914

Intertexts for a national poetry: The ideological origins of shintaishi (Japan).
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100 1 $a Brink, Dean Anthony. $3 1941007
245 1 0 $a Intertexts for a national poetry: The ideological origins of shintaishi (Japan).
300 $a 391 p.
500 $a Source: Dissertation Abstracts International, Volume: 64-01, Section: A, page: 0148.
500 $a Adviser: William F. Sibley.
502 $a Thesis (Ph.D.)--The University of Chicago, 2003.
520 $a This dissertation analyzes the formation of <italic>shintaishi</italic> (new-style poetry) in terms of ideological investments by way of a broad range of Intertexts, so as to provide a means of discussing literary and satirical verse of the late Tokugawa and Meiji period as historically continuous and not inherently bound to a “Westernizing” trajectory and ideological shape, even though <italic>shintaishi</italic> were ostensibly inspired primarily by English poetry. The invention of <italic>shintaishi</italic> as a new poetic genre fitting the new nation not only reflects the embryonic ideologies of the day, but also participates fully in the process of publicly thinking through the consolidation of a dominant Meiji state ideology.
520 $a The earliest verses that resemble <italic>shintaishi</italic> took the form of rhapsodic and discursive <italic>hayariuta</italic> (popular songs) used to promote the Freedom and People's Rights movement. The seminal <italic> Shintaishish&omacr;</italic> (1882) attempted to appropriate this influential medium and apply a civilizing rhetoric of elevating the citizenry and uniting the country by encouraging both nationalist and liberal attitudes in the translations, poems, and many prefatory notes. These poets sought to displace the heretofore dominant poetic form, the <italic>waka</italic>, which is interpreted as an attempt not only to dismiss <italic>waka</italic> as too short to engage in the “extended thought” and narration found in Western verse models, but also as necessary in order to overcome the dominant poetics of allusion intrinsic to the lyrical power of <italic>waka</italic>
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3077043