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Recognizing Longinus.
~
Claussen, David Ryan.
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Recognizing Longinus.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Recognizing Longinus./
作者:
Claussen, David Ryan.
面頁冊數:
478 p.
附註:
Source: Dissertation Abstracts International, Volume: 59-01, Section: A, page: 0180.
Contained By:
Dissertation Abstracts International59-01A.
標題:
Literature, English. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9822125
ISBN:
0591739402
Recognizing Longinus.
Claussen, David Ryan.
Recognizing Longinus.
- 478 p.
Source: Dissertation Abstracts International, Volume: 59-01, Section: A, page: 0180.
Thesis (Ph.D.)--State University of New York at Buffalo, 1998.
A critical consideration of recognizabilities of "Longinus on the Sublime" (Peri Hupsous), prolegomenary to historical study of rhetorical power and aesthetic discipline in British India, is undertaken. This involves, in the initial chapters of my dissertation, exploration of general problems of exemplarity, canonization, representation, and periodization; as well as exploration of more particularized problems of modern, romantic, and classical definition and contextualization. My seventh chapter, focusing upon a recent essay by Glenn Most, examines in much greater detail an exemplary apprehension of Longinus as romantico-modern, highlighting the structural--or, rather, structurating--intrication of 'symbolic' and 'allegoric' recognitive modalities. My eighth chapter, in considering a cyclic strategy of literary historicization through which Longinus becomes recognizable as a classical romantic, itself becomes swept up into a vortex of contextual dilation. The critically expansive 'synecdochics' which this chapter, building upon readings and arguments of the prior seven chapters, at once anatomizes and performs is deemed to hinge upon a process which I term 'cleavework.' This process--in which unrecognizable difference is repeatedly proscribed while, in each out-casting, itself at once underwriting a critical labor of differentiation and yet undercutting this cut (krisis) with a correspondent labor of adhesion--is suggested to be discursively foundational, in constituting an intransigent literary mechanics (or indeed 'organics') of critical recognition, and of historical and theoretical dissertation alike. The 'synecdochic' performance of this eighth chapter, haunted by questions of justice, irony, humanity, and violence, eclipses my dissertation's initiating, historically propadeutic ambition, resigning it to a fragmentary and occluded literary exemplarity. My ninth and final chapter, taking up an essay by Stephen Greenblatt in the fanciful form of an academic nightmare, comprises a far-afield case-study of the prior chapters' critical diagnostics. Other authors who are considered in the course of the dissertation include Frank Chambers, Samuel Taylor Coleridge, R. G. Collingwood, Michel Deguy, Paul de Man, Friedrich Nietzsche, Friedrich Schlegel, Oswald Spengler, Arnold Toynbee, and Hayden White. A comprehensive annotated bibliography of English translations of 'Longinus' Peri Hupsous (1638-1995) is included.
ISBN: 0591739402Subjects--Topical Terms:
1017709
Literature, English.
Recognizing Longinus.
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A critical consideration of recognizabilities of "Longinus on the Sublime" (Peri Hupsous), prolegomenary to historical study of rhetorical power and aesthetic discipline in British India, is undertaken. This involves, in the initial chapters of my dissertation, exploration of general problems of exemplarity, canonization, representation, and periodization; as well as exploration of more particularized problems of modern, romantic, and classical definition and contextualization. My seventh chapter, focusing upon a recent essay by Glenn Most, examines in much greater detail an exemplary apprehension of Longinus as romantico-modern, highlighting the structural--or, rather, structurating--intrication of 'symbolic' and 'allegoric' recognitive modalities. My eighth chapter, in considering a cyclic strategy of literary historicization through which Longinus becomes recognizable as a classical romantic, itself becomes swept up into a vortex of contextual dilation. The critically expansive 'synecdochics' which this chapter, building upon readings and arguments of the prior seven chapters, at once anatomizes and performs is deemed to hinge upon a process which I term 'cleavework.' This process--in which unrecognizable difference is repeatedly proscribed while, in each out-casting, itself at once underwriting a critical labor of differentiation and yet undercutting this cut (krisis) with a correspondent labor of adhesion--is suggested to be discursively foundational, in constituting an intransigent literary mechanics (or indeed 'organics') of critical recognition, and of historical and theoretical dissertation alike. The 'synecdochic' performance of this eighth chapter, haunted by questions of justice, irony, humanity, and violence, eclipses my dissertation's initiating, historically propadeutic ambition, resigning it to a fragmentary and occluded literary exemplarity. My ninth and final chapter, taking up an essay by Stephen Greenblatt in the fanciful form of an academic nightmare, comprises a far-afield case-study of the prior chapters' critical diagnostics. Other authors who are considered in the course of the dissertation include Frank Chambers, Samuel Taylor Coleridge, R. G. Collingwood, Michel Deguy, Paul de Man, Friedrich Nietzsche, Friedrich Schlegel, Oswald Spengler, Arnold Toynbee, and Hayden White. A comprehensive annotated bibliography of English translations of 'Longinus' Peri Hupsous (1638-1995) is included.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9822125
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