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The literature of the blues and blac...

Evans, Howell.

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The literature of the blues and black cultural studies.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The literature of the blues and black cultural studies./
作者:	Evans, Howell.
面頁冊數:	118 p.
附註:	Source: Dissertation Abstracts International, Volume: 65-08, Section: A, page: 3109.
Contained By:	Dissertation Abstracts International65-08A.
標題:	Folklore. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3145908
ISBN:	0496037773

The literature of the blues and black cultural studies.
Evans, Howell.

The literature of the blues and black cultural studies. - 118 p.

Source: Dissertation Abstracts International, Volume: 65-08, Section: A, page: 3109.

Thesis (Ph.D.)--University of Florida, 2004.

Everything that has been written about the blues---more than 40,000 bibliographical entries---constitutes a discourse of "what has already been said" about the blues. The actual facts of blues history remain poorly documented. Most scholarly work on the blues has dealt with blues music and lyrics as "sources" for African American poetry and novels, particularly from the Harlem Renaissance. This work is more in the realm of Cultural Studies and centers around the use of the blues in advertising, corporate sponsorship, festivals, and tourism: How is it that the blues is a signifier of authenticity and anti-commercialism even as it is used to create an image for companies like Volkswagen? How does the discourse surrounding the blues create "colonial subjects" by perpetuating stereotypes? The blues is best thought of as a form of colonial discourse in which matters of race, literacy, sexuality, and class are negotiated.

ISBN: 0496037773Subjects--Topical Terms:

528224
Folklore.

The literature of the blues and black cultural studies.
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520 $a Everything that has been written about the blues---more than 40,000 bibliographical entries---constitutes a discourse of "what has already been said" about the blues. The actual facts of blues history remain poorly documented. Most scholarly work on the blues has dealt with blues music and lyrics as "sources" for African American poetry and novels, particularly from the Harlem Renaissance. This work is more in the realm of Cultural Studies and centers around the use of the blues in advertising, corporate sponsorship, festivals, and tourism: How is it that the blues is a signifier of authenticity and anti-commercialism even as it is used to create an image for companies like Volkswagen? How does the discourse surrounding the blues create "colonial subjects" by perpetuating stereotypes? The blues is best thought of as a form of colonial discourse in which matters of race, literacy, sexuality, and class are negotiated.
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