東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

"Mockeries of separations": African...

Reames, Kelly Lynch.

FindBook

Google Book

Amazon

博客來

"Mockeries of separations": African American and white women's relationships in contemporary United States writing.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	"Mockeries of separations": African American and white women's relationships in contemporary United States writing./
作者:	Reames, Kelly Lynch.
面頁冊數:	219 p.
附註:	Source: Dissertation Abstracts International, Volume: 61-04, Section: A, page: 1408.
Contained By:	Dissertation Abstracts International61-04A.
標題:	Literature, American. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9968656
ISBN:	0599734868

"Mockeries of separations": African American and white women's relationships in contemporary United States writing.
Reames, Kelly Lynch.

"Mockeries of separations": African American and white women's relationships in contemporary United States writing. - 219 p.

Source: Dissertation Abstracts International, Volume: 61-04, Section: A, page: 1408.

Thesis (Ph.D.)--The University of North Carolina at Chapel Hill, 2000.

This study analyzes relationships between African American and white women in contemporary autobiography and fiction by Lillian Hellman, Audre Lorde, William Faulkner, Kaye Gibbons, Toni Morrison, and Elizabeth Cox. Theories of interracial reading contextualize the literary works within the historical construction of these relationships in the United States and the problems of racism in the feminist movement. The racial dynamics within the texts I examine interrogate racialized and gendered notions of American identity. I argue that Faulkner's Requiem for a Nun, while establishing that women's strategies for feminist resistance are circumscribed by both race and class, nevertheless suggests that the connection of women across differences has the potential to counteract disciplinary social narratives. While Lillian Hellman's An Unfinished Woman and Pentimento reveal that she romanticizes black women as sources of nurture and authority, the memoirs also show that her relationships with the two black women domestics who played important roles in her life challenged her assumptions and made her confront her own racism. Audre Lorde, in The Cancer Journals and Zami, exposes racism in the feminist movement and uses narrative strategies to reconfigure race relations by overturning the primacy of racial concepts of identity and emphasizing the interconnectedness of all oppressions. I read Kaye Gibbons's Ellen Foster as an analysis of the detrimental effects of whiteness on southern women and the racism inherent in aspiring to middle-class values. Like Ellen Foster, Elizabeth Cox's Night Talk also makes an interracial friendship central to the white adolescent protagonist's development, thereby suggesting that white women must overcome their own racism in order to form coherent subjectivities. Toni Morrison's short story "Recitatif" evokes readers' racial assumptions by making racial difference a point of conflict between the two main characters without identifying which woman is white and which is black. The ambiguity foregrounds the conflation of racial and class markers, as does the role of the white indentured servant Amy Denver in Beloved. The Morrison chapter, then, returns to the emphasis on economic class and historical patterns of race relations established in the Faulkner chapter.

ISBN: 0599734868Subjects--Topical Terms:

1017657
Literature, American.

"Mockeries of separations": African American and white women's relationships in contemporary United States writing.
LDR:03325nmm 2200301 4500 001 1847972
005 20051108101242.5
008 130614s2000 eng d
020 $a 0599734868
035 $a (UnM)AAI9968656
035 $a AAI9968656
040 $a UnM $c UnM
100 1 $a Reames, Kelly Lynch. $3 1082064
245 1 0 $a "Mockeries of separations": African American and white women's relationships in contemporary United States writing.
300 $a 219 p.
500 $a Source: Dissertation Abstracts International, Volume: 61-04, Section: A, page: 1408.
500 $a Adviser: Linda Wagner-Martin.
502 $a Thesis (Ph.D.)--The University of North Carolina at Chapel Hill, 2000.
520 $a This study analyzes relationships between African American and white women in contemporary autobiography and fiction by Lillian Hellman, Audre Lorde, William Faulkner, Kaye Gibbons, Toni Morrison, and Elizabeth Cox. Theories of interracial reading contextualize the literary works within the historical construction of these relationships in the United States and the problems of racism in the feminist movement. The racial dynamics within the texts I examine interrogate racialized and gendered notions of American identity. I argue that Faulkner's Requiem for a Nun, while establishing that women's strategies for feminist resistance are circumscribed by both race and class, nevertheless suggests that the connection of women across differences has the potential to counteract disciplinary social narratives. While Lillian Hellman's An Unfinished Woman and Pentimento reveal that she romanticizes black women as sources of nurture and authority, the memoirs also show that her relationships with the two black women domestics who played important roles in her life challenged her assumptions and made her confront her own racism. Audre Lorde, in The Cancer Journals and Zami, exposes racism in the feminist movement and uses narrative strategies to reconfigure race relations by overturning the primacy of racial concepts of identity and emphasizing the interconnectedness of all oppressions. I read Kaye Gibbons's Ellen Foster as an analysis of the detrimental effects of whiteness on southern women and the racism inherent in aspiring to middle-class values. Like Ellen Foster, Elizabeth Cox's Night Talk also makes an interracial friendship central to the white adolescent protagonist's development, thereby suggesting that white women must overcome their own racism in order to form coherent subjectivities. Toni Morrison's short story "Recitatif" evokes readers' racial assumptions by making racial difference a point of conflict between the two main characters without identifying which woman is white and which is black. The ambiguity foregrounds the conflation of racial and class markers, as does the role of the white indentured servant Amy Denver in Beloved. The Morrison chapter, then, returns to the emphasis on economic class and historical patterns of race relations established in the Faulkner chapter.
590 $a School code: 0153.
650 4 $a Literature, American. $3 1017657
650 4 $a Literature, Modern. $3 624011
650 4 $a Black Studies. $3 1017673
650 4 $a Women's Studies. $3 1017481
690 $a 0591
690 $a 0298
690 $a 0325
690 $a 0453
710 2 0 $a The University of North Carolina at Chapel Hill. $3 1017449
773 0 $t Dissertation Abstracts International $g 61-04A.
790 1 0 $a Wagner-Martin, Linda, $e advisor
790 $a 0153
791 $a Ph.D.
792 $a 2000
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9968656