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Perspectives of professional vocal j...
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English, Michelle N. G.
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Perspectives of professional vocal jazz singers and jazz educators: Implications for high school vocal jazz pedagogy.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Perspectives of professional vocal jazz singers and jazz educators: Implications for high school vocal jazz pedagogy./
作者:
English, Michelle N. G.
面頁冊數:
126 p.
附註:
Source: Masters Abstracts International, Volume: 42-06, page: 1950.
Contained By:
Masters Abstracts International42-06.
標題:
Education, Music. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MQ91224
ISBN:
0612912248
Perspectives of professional vocal jazz singers and jazz educators: Implications for high school vocal jazz pedagogy.
English, Michelle N. G.
Perspectives of professional vocal jazz singers and jazz educators: Implications for high school vocal jazz pedagogy.
- 126 p.
Source: Masters Abstracts International, Volume: 42-06, page: 1950.
Thesis (M.Ed.)--University of Manitoba (Canada), 2004.
My personal experience as a university and high school vocal jazz teacher and as a vocal jazz singer led me to a notion that there was a dissonance between the way in which professional singers learned to sing jazz and the way in which educators teach high school vocal jazz. The purpose of this study was to ascertain the methods by which professional vocal jazz singers learned their art and the successful methodology that was employed by high school vocal jazz teachers. There was a prospect, I felt, of a methodological process that would be more accessible to teachers and learners if a study was carried out on the way in which professional singers learned to perform jazz.
ISBN: 0612912248Subjects--Topical Terms:
1017808
Education, Music.
Perspectives of professional vocal jazz singers and jazz educators: Implications for high school vocal jazz pedagogy.
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My personal experience as a university and high school vocal jazz teacher and as a vocal jazz singer led me to a notion that there was a dissonance between the way in which professional singers learned to sing jazz and the way in which educators teach high school vocal jazz. The purpose of this study was to ascertain the methods by which professional vocal jazz singers learned their art and the successful methodology that was employed by high school vocal jazz teachers. There was a prospect, I felt, of a methodological process that would be more accessible to teachers and learners if a study was carried out on the way in which professional singers learned to perform jazz.
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The review of literature is discussed according to themes pertaining to teaching and learning vocal jazz.
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