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Strings, winds, and drums in China d...

Furniss, Ingrid Maren.

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Strings, winds, and drums in China during Eastern Zhou and Han (770 B.C.E.--220 A.D.): An archaeological perspective.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Strings, winds, and drums in China during Eastern Zhou and Han (770 B.C.E.--220 A.D.): An archaeological perspective./
作者:	Furniss, Ingrid Maren.
面頁冊數:	355 p.
附註:	Source: Dissertation Abstracts International, Volume: 66-03, Section: A, page: 1051.
Contained By:	Dissertation Abstracts International66-03A.
標題:	Anthropology, Archaeology. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3169728
ISBN:	0542055678

Strings, winds, and drums in China during Eastern Zhou and Han (770 B.C.E.--220 A.D.): An archaeological perspective.
Furniss, Ingrid Maren.

Strings, winds, and drums in China during Eastern Zhou and Han (770 B.C.E.--220 A.D.): An archaeological perspective. - 355 p.

Source: Dissertation Abstracts International, Volume: 66-03, Section: A, page: 1051.

Thesis (Ph.D.)--Princeton University, 2005.

This dissertation is an archaeological study of tombs with wooden musical instruments dating to Eastern Zhou (770--221 BCE) and Han (206 BCE--220 AD). The study looks at the distribution of these instruments in small and large aristocratic tombs, and it considers their role in the social and musical life of aristocrats in early China.

ISBN: 0542055678Subjects--Topical Terms:

622985
Anthropology, Archaeology.

Strings, winds, and drums in China during Eastern Zhou and Han (770 B.C.E.--220 A.D.): An archaeological perspective.
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245 1 0 $a Strings, winds, and drums in China during Eastern Zhou and Han (770 B.C.E.--220 A.D.): An archaeological perspective.
300 $a 355 p.
500 $a Source: Dissertation Abstracts International, Volume: 66-03, Section: A, page: 1051.
500 $a Adviser: Robert Bagley.
502 $a Thesis (Ph.D.)--Princeton University, 2005.
520 $a This dissertation is an archaeological study of tombs with wooden musical instruments dating to Eastern Zhou (770--221 BCE) and Han (206 BCE--220 AD). The study looks at the distribution of these instruments in small and large aristocratic tombs, and it considers their role in the social and musical life of aristocrats in early China.
520 $a Chapter One contains two sections. Section 1 surveys the various source materials that are available for the study of wooden instruments. Section 2 traces the early history and development of Chinese instruments and the tradition of burying them in tombs.
520 $a Chapters Two and Three look at the distribution and arrangement of wooden musical instruments in Eastern Zhou tombs of southeastern China, the only place where they survive. Chapter Two surveys tombs that do not also contain bells and chime stones. These tombs range from the small and modest to the large and wealthy, suggesting that poorer and wealthier elites could own wooden instruments. Chapter Three concentrates on tombs in which wooden instruments accompany bells and chime stones. These tombs are typically large and very wealthy, suggesting that only those with wealth could own musical ensembles with bells and chime stones. Chapters Two and Three also explore the possible instrumentation of real musical ensembles and the role of instruments in ritual and non-ritual activities.
520 $a Chapter Four discusses the continuing usage of wooden instruments during Han. By the end of Warring States, real instruments were seldom placed in tombs, indicating a shift in burial practice. However, Han visual representations of them abound in southeastern and northeastern tombs, suggesting that they were distributed in a broad geographic region and that they perhaps even increased in popularity.
520 $a The conclusion summarizes the previous chapters by sketching the rise and decline of the burial of instruments and ensembles, and how it might relate to the history of the instruments and ensembles above ground.
590 $a School code: 0181.
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