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A pedagogical and analytical study o...

Sellek-Harrison, Maria B.

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A pedagogical and analytical study of "Granada" ("Serenata"), "Sevilla" ("Sevillanas"), "Asturias" ("Leyenda") and "Castilla" ("Seguidillas") from the "Suite Espanola", Opus 47 by Isaac Albeniz (Spain).

Record Type:	Electronic resources : Monograph/item
Title/Author:	A pedagogical and analytical study of "Granada" ("Serenata"), "Sevilla" ("Sevillanas"), "Asturias" ("Leyenda") and "Castilla" ("Seguidillas") from the "Suite Espanola", Opus 47 by Isaac Albeniz (Spain)./
Author:	Sellek-Harrison, Maria B.
Description:	183 p.
Notes:	Source: Dissertation Abstracts International, Volume: 54-01, Section: A, page: 0023.
Contained By:	Dissertation Abstracts International54-01A.
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9314534

A pedagogical and analytical study of "Granada" ("Serenata"), "Sevilla" ("Sevillanas"), "Asturias" ("Leyenda") and "Castilla" ("Seguidillas") from the "Suite Espanola", Opus 47 by Isaac Albeniz (Spain).
Sellek-Harrison, Maria B.

A pedagogical and analytical study of "Granada" ("Serenata"), "Sevilla" ("Sevillanas"), "Asturias" ("Leyenda") and "Castilla" ("Seguidillas") from the "Suite Espanola", Opus 47 by Isaac Albeniz (Spain). - 183 p.

Source: Dissertation Abstracts International, Volume: 54-01, Section: A, page: 0023.

Thesis (D.M.A.)--University of Miami, 1992.

The main body of this study presents a pedagogical and formal analysis of four piano works: "Granada" ("Serenata"), "Sevilla" ("Sevillanas"), "Asturias" ("Leyenda") and "Castilla" ("Seguidillas"); from the Suite Espanola, Opus 47, one of Isaac Albeniz' (1860-1909) best-known collections. These selected pieces are pianistically the most engaging, popular and representative of Albeniz' Spanish style in the Suite Espanola, Opus 47.Subjects--Topical Terms:

516178
Music.

A pedagogical and analytical study of "Granada" ("Serenata"), "Sevilla" ("Sevillanas"), "Asturias" ("Leyenda") and "Castilla" ("Seguidillas") from the "Suite Espanola", Opus 47 by Isaac Albeniz (Spain).
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035 $a (UnM)AAI9314534
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040 $a UnM $c UnM
100 1 $a Sellek-Harrison, Maria B. $3 1931106
245 1 2 $a A pedagogical and analytical study of "Granada" ("Serenata"), "Sevilla" ("Sevillanas"), "Asturias" ("Leyenda") and "Castilla" ("Seguidillas") from the "Suite Espanola", Opus 47 by Isaac Albeniz (Spain).
300 $a 183 p.
500 $a Source: Dissertation Abstracts International, Volume: 54-01, Section: A, page: 0023.
500 $a Supervisor: Rosalina G. Sackstein.
502 $a Thesis (D.M.A.)--University of Miami, 1992.
520 $a The main body of this study presents a pedagogical and formal analysis of four piano works: "Granada" ("Serenata"), "Sevilla" ("Sevillanas"), "Asturias" ("Leyenda") and "Castilla" ("Seguidillas"); from the Suite Espanola, Opus 47, one of Isaac Albeniz' (1860-1909) best-known collections. These selected pieces are pianistically the most engaging, popular and representative of Albeniz' Spanish style in the Suite Espanola, Opus 47.
520 $a In selecting the topic, the author found that there is a dearth of extant literature on Albeniz, consisting mostly of biographical and critical commentary in French, Spanish and Catalan languages. This study attempts to provide a clearer understanding of the musical language of Albeniz and his use of Spanish traditional idioms, and valuable pedagogical and analytical insights for college-level students and piano teachers who lack familiarity or experience with Spanish music. This information should lead to more authoritative performances and a better understanding of the unique Spanish qualities which the Suite Espanola, Opus 47 embodies.
520 $a The first chapter is an outline of the purpose of the doctoral essay, and includes a summary of the extent and nature of the literature presently available on Albeniz. The second chapter is a biography of Albeniz. The third chapter describes the contents of the Suite Espanola, Opus 47, including a diagram giving the individual titles of pieces, their key, date and dedication of each composition, and date of first edition.
520 $a The first part "Analysis" of chapters IV to VII discusses the form and stylistic features of the individual works, illustrated by musical examples, a form diagram and general background information. The second part "Pedagogical and Performance Considerations" discusses various physical and technical difficulties, and problems of musicianship, and provides by way of examples the author's exercises, specific fingering and interpretative solutions.
520 $a Appendix I is a current discography of the solo piano, orchestral and guitar transcriptions for the complete Suite Espanola, Opus 47 and individual dances. Appendix II and III are tabulations by the author of discographies by two of Albeniz' biographers. A list of editions of the Suite Espanola, Opus 47 and an extensive Bibliography conclude this study.
590 $a School code: 0125.
650 4 $a Music. $3 516178
650 4 $a Education, Music. $3 1017808
690 $a 0413
690 $a 0522
710 2 0 $a University of Miami. $3 1017483
773 0 $t Dissertation Abstracts International $g 54-01A.
790 1 0 $a Sackstein, Rosalina G., $e advisor
790 $a 0125
791 $a D.M.A.
792 $a 1992
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9314534