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HIV/AIDS, visual artistic expression...

Hill, Erness Abron.

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HIV/AIDS, visual artistic expression and traditional crafts in Southern Africa (Immune deficiency, Botswana, South Africa, Zimbabwe).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	HIV/AIDS, visual artistic expression and traditional crafts in Southern Africa (Immune deficiency, Botswana, South Africa, Zimbabwe)./
作者:	Hill, Erness Abron.
面頁冊數:	183 p.
附註:	Source: Dissertation Abstracts International, Volume: 65-09, Section: A, page: 3521.
Contained By:	Dissertation Abstracts International65-09A.
標題:	History, African. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3147542
ISBN:	0496062336

HIV/AIDS, visual artistic expression and traditional crafts in Southern Africa (Immune deficiency, Botswana, South Africa, Zimbabwe).
Hill, Erness Abron.

HIV/AIDS, visual artistic expression and traditional crafts in Southern Africa (Immune deficiency, Botswana, South Africa, Zimbabwe). - 183 p.

Source: Dissertation Abstracts International, Volume: 65-09, Section: A, page: 3521.

Thesis (Ph.D.)--Howard University, 2004.

This dissertation examines the impact of the Human Immuno-deficiency Virus/Acquired Immune Deficiency Syndrome (HIV/AIDS) on artists, visual artistic expression and traditional crafts in Southern Africa.

ISBN: 0496062336Subjects--Topical Terms:

1017555
History, African.

HIV/AIDS, visual artistic expression and traditional crafts in Southern Africa (Immune deficiency, Botswana, South Africa, Zimbabwe).
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245 1 0 $a HIV/AIDS, visual artistic expression and traditional crafts in Southern Africa (Immune deficiency, Botswana, South Africa, Zimbabwe).
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500 $a Source: Dissertation Abstracts International, Volume: 65-09, Section: A, page: 3521.
500 $a Adviser: Mbye B. Cham.
502 $a Thesis (Ph.D.)--Howard University, 2004.
520 $a This dissertation examines the impact of the Human Immuno-deficiency Virus/Acquired Immune Deficiency Syndrome (HIV/AIDS) on artists, visual artistic expression and traditional crafts in Southern Africa.
520 $a The investigation was based on the hypothesis that: (1) Southern African artists, having witnessed devastating social and economic effects or having been personally affected by the scourge, are not indifferent to the challenges and implications of the HIV/AIDS pandemic, and (2) whether positively (recognizing favorable conditions for advancing one's artistic and/or economic situation) or negatively (opportunistic), they express their individual concerns through their various forms of artistic expression and/or traditional crafts.
520 $a The approach used was a comparative analysis of three Southern African countries---Botswana, South Africa, and Zimbabwe---and the various HIV/AIDS-inspired artistic expressions and traditional crafts emanating from each one. Individuals interviewed include indigenous Africans, both black and white, and, in a few instances, expatriates, now holding African passports.
520 $a The conclusions drawn from this investigation suggest that while artists/craftsmen may be sympathetic and, perhaps, prompted by a sense of moral obligation, this contemporary issue is: (1) prompting changes in indigenous cultural forms, (2) providing a unique opportunity for the integration of all representations of African culture, as it applies to the visual arts and traditional crafts, and (3) ultimately acknowledging the flexibility of Africans, their traditions, and the continent.
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