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The voice as gesture in Meredith Mon...
~
Pym, Rebekah.
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The voice as gesture in Meredith Monk's "ATLAS".
Record Type:
Electronic resources : Monograph/item
Title/Author:
The voice as gesture in Meredith Monk's "ATLAS"./
Author:
Pym, Rebekah.
Description:
60 p.
Notes:
Source: Masters Abstracts International, Volume: 42-05, page: 1436.
Contained By:
Masters Abstracts International42-05.
Subject:
Music. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MQ88678
ISBN:
0612886786
The voice as gesture in Meredith Monk's "ATLAS".
Pym, Rebekah.
The voice as gesture in Meredith Monk's "ATLAS".
- 60 p.
Source: Masters Abstracts International, Volume: 42-05, page: 1436.
Thesis (M.A.)--McGill University (Canada), 2003.
Meredith Monk's multi-modal work incorporates theatre, dance, film and music. Her claim is that music and specifically the voice lie at the heart of all her work. At this core, she uses auditory gesture in wordless vocal lines to express her meaning, usually the hidden narrative of emotion, to enable universal intelligibility. This thesis uses the concept of gestus in the sense of Brecht and Weill as an instrument to examine vocal gesture in three scenes in Monk's opera ATLAS, and then relates it to her compositional process. It also studies gestus in connection with Monk's biography and the influences on her especially Emile Jaques-Dalcroze and Antonin Artaud.
ISBN: 0612886786Subjects--Topical Terms:
516178
Music.
The voice as gesture in Meredith Monk's "ATLAS".
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Source: Masters Abstracts International, Volume: 42-05, page: 1436.
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Adviser: Tamara Levitz.
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Thesis (M.A.)--McGill University (Canada), 2003.
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Meredith Monk's multi-modal work incorporates theatre, dance, film and music. Her claim is that music and specifically the voice lie at the heart of all her work. At this core, she uses auditory gesture in wordless vocal lines to express her meaning, usually the hidden narrative of emotion, to enable universal intelligibility. This thesis uses the concept of gestus in the sense of Brecht and Weill as an instrument to examine vocal gesture in three scenes in Monk's opera ATLAS, and then relates it to her compositional process. It also studies gestus in connection with Monk's biography and the influences on her especially Emile Jaques-Dalcroze and Antonin Artaud.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MQ88678
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