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Bela Bartok and Hungarian nationalis...
~
Frigyesi, Judit Laki.
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Bela Bartok and Hungarian nationalism: The development of Bartok's social and political ideas at the turn of the century (1899-1903).
Record Type:
Electronic resources : Monograph/item
Title/Author:
Bela Bartok and Hungarian nationalism: The development of Bartok's social and political ideas at the turn of the century (1899-1903)./
Author:
Frigyesi, Judit Laki.
Description:
330 p.
Notes:
Source: Dissertation Abstracts International, Volume: 51-02, Section: A, page: 0336.
Contained By:
Dissertation Abstracts International51-02A.
Subject:
Music. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9015090
Bela Bartok and Hungarian nationalism: The development of Bartok's social and political ideas at the turn of the century (1899-1903).
Frigyesi, Judit Laki.
Bela Bartok and Hungarian nationalism: The development of Bartok's social and political ideas at the turn of the century (1899-1903).
- 330 p.
Source: Dissertation Abstracts International, Volume: 51-02, Section: A, page: 0336.
Thesis (Ph.D.)--University of Pennsylvania, 1989.
For his contemporaries Bela Bartok was not merely a 'great composer.' Bartok's music and personality signified--and continues to signify--much more; it was and has remained the symbol of political and cultural radicalism; indeed, the symbol of a modern, truly "European" and progressive Hungary. To answer the question how Bartok could play such a role in political/cultural history it is necessary to understand the formative years in Bartok's ideological development as well as the contemporary social and political situation.Subjects--Topical Terms:
516178
Music.
Bela Bartok and Hungarian nationalism: The development of Bartok's social and political ideas at the turn of the century (1899-1903).
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Bela Bartok and Hungarian nationalism: The development of Bartok's social and political ideas at the turn of the century (1899-1903).
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330 p.
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Source: Dissertation Abstracts International, Volume: 51-02, Section: A, page: 0336.
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Supervisor: Leonard B. Meyer.
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Thesis (Ph.D.)--University of Pennsylvania, 1989.
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For his contemporaries Bela Bartok was not merely a 'great composer.' Bartok's music and personality signified--and continues to signify--much more; it was and has remained the symbol of political and cultural radicalism; indeed, the symbol of a modern, truly "European" and progressive Hungary. To answer the question how Bartok could play such a role in political/cultural history it is necessary to understand the formative years in Bartok's ideological development as well as the contemporary social and political situation.
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The focus of this dissertation is on Bartok's musical and political ideas in 1903, at the time of his nationalistic period and of the writing of the Kossuth Symphony. The first chapter elaborates on Bartok's social environment in Budapest during his studies at the Academy of Music summarizing the social tensions Bartok experienced in those years and his emotional and ideological response to them. Bartok developed his early nationalist ideology largely as a response to these social tensions. Bartok's political views in 1903, and the political atmosphere which influenced him to develop this ideology are described in the second chapter. This chapter includes the analysis of the Kossuth Symphony, with special regard to the modernity and the 'Hungarianness' of the musical style. The third chapter provides a description of the historical context elaborating on the character of Hungarian nationalism at the turn of the century. The problems raised in these three chapters are considered from a different point of view in the last chapter which discusses how nationalist ideology helped Bartok to develop his mature concept of art, become open to--and eventually become part of--the radical intellectuals' movement in turn-of-the-century Hungary.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9015090
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