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Rhythm and order, size and proportio...

Young, Graham.

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Rhythm and order, size and proportion in the development of a text typeface.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Rhythm and order, size and proportion in the development of a text typeface./
作者:	Young, Graham.
面頁冊數:	46 p.
附註:	Source: Masters Abstracts International, Volume: 42-05, page: 1430.
Contained By:	Masters Abstracts International42-05.
標題:	Library Science. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1418583

Rhythm and order, size and proportion in the development of a text typeface.
Young, Graham.

Rhythm and order, size and proportion in the development of a text typeface. - 46 p.

Source: Masters Abstracts International, Volume: 42-05, page: 1430.

Thesis (M.F.A.)--Florida Atlantic University, 2004.

Based on extensive research into the development of Roman text typefaces from the middle of the incunabula (circa 1475) to the end of the 17th Century when the second major wave of Roman text types began, this thesis will document the design and production of a text typeface using many of the developments of the period.Subjects--Topical Terms:

881164
Library Science.

Rhythm and order, size and proportion in the development of a text typeface.
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100 1 $a Young, Graham. $3 646907
245 1 0 $a Rhythm and order, size and proportion in the development of a text typeface.
300 $a 46 p.
500 $a Source: Masters Abstracts International, Volume: 42-05, page: 1430.
500 $a Adviser: Linda K. Johnson.
502 $a Thesis (M.F.A.)--Florida Atlantic University, 2004.
520 $a Based on extensive research into the development of Roman text typefaces from the middle of the incunabula (circa 1475) to the end of the 17th Century when the second major wave of Roman text types began, this thesis will document the design and production of a text typeface using many of the developments of the period.
520 $a Because the incunabula saw the bringing together of the miniscules and majuscules (upper- and lowercases) for use on a single page and because for the first time in Western history the exact same letter form could be used in many printed works at once, we have, now frozen in our visual language, letter forms conforming to set but often contradictory rules of rhythm and order, size and proportion. I will explore these rules and contradictions in the development of a typeface and will, on occasion, break them, developing rules of my own.
590 $a School code: 0119.
650 4 $a Library Science. $3 881164
650 4 $a Fine Arts. $3 891065
690 $a 0399
690 $a 0357
710 2 0 $a Florida Atlantic University. $3 1017837
773 0 $t Masters Abstracts International $g 42-05.
790 1 0 $a Johnson, Linda K., $e advisor
790 $a 0119
791 $a M.F.A.
792 $a 2004
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1418583