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The stylistic and historical signifi...
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Humphrey, Mark Aaron.
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The stylistic and historical significance of Mozart's Mass in C Major K. 337.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The stylistic and historical significance of Mozart's Mass in C Major K. 337./
作者:
Humphrey, Mark Aaron.
面頁冊數:
90 p.
附註:
Source: Dissertation Abstracts International, Volume: 67-09, Section: A, page: 3216.
Contained By:
Dissertation Abstracts International67-09A.
標題:
Music. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3233841
ISBN:
9780542875298
The stylistic and historical significance of Mozart's Mass in C Major K. 337.
Humphrey, Mark Aaron.
The stylistic and historical significance of Mozart's Mass in C Major K. 337.
- 90 p.
Source: Dissertation Abstracts International, Volume: 67-09, Section: A, page: 3216.
Thesis (D.M.A.)--University of Southern California, 2006.
This document is an analysis of Wolfgang Amadeus Mozart's Missa Solemnis in C Major K. 337, as well as an historical and stylistic placement of the work within his Salzburg masses. The purpose of this research is to provide historical context and practical information about K. 337 and to present a compelling case for its consideration as one of the most important works the composer wrote while in Salzburg. Included is a comparison of all nine masses he wrote to be celebrated by Archbishop Colloredo and a more specific comparison between K. 337 and the major choral works composed directly before and after its completion in 1780.
ISBN: 9780542875298Subjects--Topical Terms:
516178
Music.
The stylistic and historical significance of Mozart's Mass in C Major K. 337.
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This document is an analysis of Wolfgang Amadeus Mozart's Missa Solemnis in C Major K. 337, as well as an historical and stylistic placement of the work within his Salzburg masses. The purpose of this research is to provide historical context and practical information about K. 337 and to present a compelling case for its consideration as one of the most important works the composer wrote while in Salzburg. Included is a comparison of all nine masses he wrote to be celebrated by Archbishop Colloredo and a more specific comparison between K. 337 and the major choral works composed directly before and after its completion in 1780.
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