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Choral identity and the chorus of el...

Dhuga, Umit Singh.

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Choral identity and the chorus of elders in Greek tragedy.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Choral identity and the chorus of elders in Greek tragedy./
作者:	Dhuga, Umit Singh.
面頁冊數:	256 p.
附註:	Source: Dissertation Abstracts International, Volume: 67-10, Section: A, page: 3808.
Contained By:	Dissertation Abstracts International67-10A.
標題:	Language, Ancient. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3237221
ISBN:	9780542916007

Choral identity and the chorus of elders in Greek tragedy.
Dhuga, Umit Singh.

Choral identity and the chorus of elders in Greek tragedy. - 256 p.

Source: Dissertation Abstracts International, Volume: 67-10, Section: A, page: 3808.

Thesis (Ph.D.)--Columbia University, 2006.

This thesis argues that choruses of elders in Greek tragedy can be remarkably central to the tragic action and are not necessarily---as some scholars have generalised---ineffectual, passive, or marginal as a result of their old age. Choruses of elders are actively involved in the dramatic events when they are encouraged to be involved by a sympathetic ruler (as in Sophocles' Oedipus Coloneus, Euripides' Heraclidae, and at the end of Sophocles' Antigone) or driven to act against an antipathetic ruler (as at the start of Euripides' Hercules Furens and at the end of Aeschylus' Agamemnon). When choruses of elders are marginalised, I suggest, it is not on account of their old age per se but on account of the play's specific political problems and pressures. Detailed analysis of the aforementioned, five choruses' speech, song, and action is helpful not only to our understanding of choral identity, but also, more broadly, to our understanding of the ongoing if not increasing importance that the chorus will have maintained in Greek tragedy.

ISBN: 9780542916007Subjects--Topical Terms:

1018100
Language, Ancient.

Choral identity and the chorus of elders in Greek tragedy.
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520 $a This thesis argues that choruses of elders in Greek tragedy can be remarkably central to the tragic action and are not necessarily---as some scholars have generalised---ineffectual, passive, or marginal as a result of their old age. Choruses of elders are actively involved in the dramatic events when they are encouraged to be involved by a sympathetic ruler (as in Sophocles' Oedipus Coloneus, Euripides' Heraclidae, and at the end of Sophocles' Antigone) or driven to act against an antipathetic ruler (as at the start of Euripides' Hercules Furens and at the end of Aeschylus' Agamemnon). When choruses of elders are marginalised, I suggest, it is not on account of their old age per se but on account of the play's specific political problems and pressures. Detailed analysis of the aforementioned, five choruses' speech, song, and action is helpful not only to our understanding of choral identity, but also, more broadly, to our understanding of the ongoing if not increasing importance that the chorus will have maintained in Greek tragedy.
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