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How to prepare for foreign art songs...

Kim, Yu-Jin.

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How to prepare for foreign art songs: An innovative method for beginning singers.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	How to prepare for foreign art songs: An innovative method for beginning singers./
作者:	Kim, Yu-Jin.
面頁冊數:	99 p.
附註:	Source: Dissertation Abstracts International, Volume: 68-02, Section: A, page: 0397.
Contained By:	Dissertation Abstracts International68-02A.
標題:	Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3252868

How to prepare for foreign art songs: An innovative method for beginning singers.
Kim, Yu-Jin.

How to prepare for foreign art songs: An innovative method for beginning singers. - 99 p.

Source: Dissertation Abstracts International, Volume: 68-02, Section: A, page: 0397.

Thesis (D.M.A.)--University of Washington, 2007.

While innate talent is undoubtedly a solid foundation required by many successful singers, there are other important aspects of singing that must be acquired. One of these is a knowledge of foreign languages and its role in performing music. However, a singer must not merely be familiar with a wide range of foreign languages, but be able to translate the song he/she sings with accuracy, interpret the music to appeal to others, and have comprehensive knowledge of the historical background of the music.Subjects--Topical Terms:

516178
Music.

How to prepare for foreign art songs: An innovative method for beginning singers.
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245 1 0 $a How to prepare for foreign art songs: An innovative method for beginning singers.
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500 $a Source: Dissertation Abstracts International, Volume: 68-02, Section: A, page: 0397.
500 $a Adviser: Stephen Rumph.
502 $a Thesis (D.M.A.)--University of Washington, 2007.
520 $a While innate talent is undoubtedly a solid foundation required by many successful singers, there are other important aspects of singing that must be acquired. One of these is a knowledge of foreign languages and its role in performing music. However, a singer must not merely be familiar with a wide range of foreign languages, but be able to translate the song he/she sings with accuracy, interpret the music to appeal to others, and have comprehensive knowledge of the historical background of the music.
520 $a This dissertation discusses one effective approach to this issue, presenting an innovative method that proves equally effective across all different languages. Currently, there are no materials that offer a comprehensive approach to preparing foreign art songs, only handbooks that address diction issues (for example, Adams, 1999). The comprehensive approach detailed in this dissertation includes three primary elements: translating the text, getting familiar with the music, and researching the song. This threefold process will be applied to a Schubertian Lied and a Ravel song cycle in order to demonstrate its applicability across different languages and styles. Ultimately, this research will benefit singers who are just beginning their foreign language training.
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