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Power, production and practice: Tech...

Munoz, Arturo Rene.

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Power, production and practice: Technological change in the Late Classic ceramics of Piedras Negras, Guatemala.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Power, production and practice: Technological change in the Late Classic ceramics of Piedras Negras, Guatemala./
作者:	Munoz, Arturo Rene.
面頁冊數:	403 p.
附註:	Source: Dissertation Abstracts International, Volume: 67-02, Section: A, page: 0609.
Contained By:	Dissertation Abstracts International67-02A.
標題:	Anthropology, Archaeology. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3208237
ISBN:	9780542557996

Power, production and practice: Technological change in the Late Classic ceramics of Piedras Negras, Guatemala.
Munoz, Arturo Rene.

Power, production and practice: Technological change in the Late Classic ceramics of Piedras Negras, Guatemala. - 403 p.

Source: Dissertation Abstracts International, Volume: 67-02, Section: A, page: 0609.

Thesis (Ph.D.)--The University of Arizona, 2006.

The Classic Maya site of Piedras Negras is a located at the western edge of El Peten, Guatemala. From 1931 to 1939, and again from 1997 to 2000, the site was subject to investigation, first by a project directed by Linton Sattherwaite of the University of Pennsylvania, and later by a project directed by Stephen Houston and Hector Escobedo. Beginning in about A.D. 650 the ceramics of Piedras began to undergo a period of rapid and profound changes that culminated in the development of a distinct regional polychrome style distinguished by the use of an elaborate resist and resist-reserve technique with few analogs elsewhere in the Maya Lowlands.

ISBN: 9780542557996Subjects--Topical Terms:

622985
Anthropology, Archaeology.

Power, production and practice: Technological change in the Late Classic ceramics of Piedras Negras, Guatemala.
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500 $a Source: Dissertation Abstracts International, Volume: 67-02, Section: A, page: 0609.
500 $a Advisers: T. Patrick Culbert; Takeshi Inomata.
502 $a Thesis (Ph.D.)--The University of Arizona, 2006.
520 $a The Classic Maya site of Piedras Negras is a located at the western edge of El Peten, Guatemala. From 1931 to 1939, and again from 1997 to 2000, the site was subject to investigation, first by a project directed by Linton Sattherwaite of the University of Pennsylvania, and later by a project directed by Stephen Houston and Hector Escobedo. Beginning in about A.D. 650 the ceramics of Piedras began to undergo a period of rapid and profound changes that culminated in the development of a distinct regional polychrome style distinguished by the use of an elaborate resist and resist-reserve technique with few analogs elsewhere in the Maya Lowlands.
520 $a At most Classic Maya sites, the development of a regional ceramic style involved the elaboration of known and widely practiced decorative techniques, such as positive painting. At Piedras Negras, Guatemala, however, this development was manifested by the creation of a distinct tradition emphasizing the use of an elaborate true resist technique. Because the development of this style was the result of new technological practices, rather than the elaboration of extant styles, we are allowed a unique perspective on material culture change. Rather than invoking rational, deterministic explanations to account for the transformations visible in the Piedras Negras ceramics, change is framed primarily as a social phenomena whose study requires a uniquely historical, social, and cultural point of view.
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