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Sex and money: The place of my film ...
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Fosado, Gisela C.
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Sex and money: The place of my film and other ethnographic films within contemporary film festivals.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Sex and money: The place of my film and other ethnographic films within contemporary film festivals./
作者:
Fosado, Gisela C.
面頁冊數:
36 p.
附註:
Source: Masters Abstracts International, Volume: 45-01, page: 0109.
Contained By:
Masters Abstracts International45-01.
標題:
Anthropology, Cultural. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1438394
ISBN:
9780542901157
Sex and money: The place of my film and other ethnographic films within contemporary film festivals.
Fosado, Gisela C.
Sex and money: The place of my film and other ethnographic films within contemporary film festivals.
- 36 p.
Source: Masters Abstracts International, Volume: 45-01, page: 0109.
Thesis (M.A.)--University of Southern California, 2006.
Ethnographic film, as previously conceived, is a withering niche that has lacked innovation and has lost appeal to the masses. Furthermore, within anthropology, it has grown only marginally as anthropologists continue to favor written ethnographic representations. For this and other reasons I will make a case that a broader definition of ethnographic film is necessary in order for the genre to appeal to broader audiences and for the genre to grow along with other similar genres within documentary filmmaking. This essay, therefore, sketches the history of ethnographic film and explores the role ethnographic film plays in independent film festivals today.
ISBN: 9780542901157Subjects--Topical Terms:
735016
Anthropology, Cultural.
Sex and money: The place of my film and other ethnographic films within contemporary film festivals.
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Source: Masters Abstracts International, Volume: 45-01, page: 0109.
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Ethnographic film, as previously conceived, is a withering niche that has lacked innovation and has lost appeal to the masses. Furthermore, within anthropology, it has grown only marginally as anthropologists continue to favor written ethnographic representations. For this and other reasons I will make a case that a broader definition of ethnographic film is necessary in order for the genre to appeal to broader audiences and for the genre to grow along with other similar genres within documentary filmmaking. This essay, therefore, sketches the history of ethnographic film and explores the role ethnographic film plays in independent film festivals today.
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I conclude this essay with a discussion of my own short ethnographic film, Sex and Money in Cuba, which breaks away from traditional notions of ethnographic film and focuses on confronting current stereotypes of sex tourism in Cuba.
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