東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Effable/ineffable: Fresh perspective...

Brunton, Jennifer Elizabeth.

FindBook

Google Book

Amazon

博客來

Effable/ineffable: Fresh perspectives on the sociology of creativity (New York).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Effable/ineffable: Fresh perspectives on the sociology of creativity (New York)./
作者:	Brunton, Jennifer Elizabeth.
面頁冊數:	247 p.
附註:	Source: Dissertation Abstracts International, Volume: 66-12, Section: A, page: 4534.
Contained By:	Dissertation Abstracts International66-12A.
標題:	Sociology, General. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3199543
ISBN:	9780542462375

Effable/ineffable: Fresh perspectives on the sociology of creativity (New York).
Brunton, Jennifer Elizabeth.

Effable/ineffable: Fresh perspectives on the sociology of creativity (New York). - 247 p.

Source: Dissertation Abstracts International, Volume: 66-12, Section: A, page: 4534.

Thesis (Ph.D.)--Columbia University, 2006.

In my dissertation, I examine the creative process as it is described by artists themselves. I use interviews with, and observation of, thirteen more and less well-known New York City artists to research the interconnected lifeworlds of artists. My research design was intended to access multiple facets of artists' lives: their artistic training; their social and artistic environments; their creative processes and the ways they talk about these processes; their artworks and the ways they talk about these artworks; and the ways they talk about how their creations are related to their intentions as artists. The central impetus of my research design was the consideration of the more subtle elements of the creative process commonly ignored or dismissed in the discipline of sociology. My analysis resulted in three significant areas of original scholarship: strategies around background, environments, legitimacy and work; choices about identity and creativity; and inducted ways of thinking about and enacting creative work. I conclude that most of the so-called ineffable aspects of creativity are at once socially constructed and mediated by unique individuals in situations; more infrequently they remain indescribable. I locate this residual ineffable not in artists or in inspiration but in the liminal space between conception and execution of artworks.

ISBN: 9780542462375Subjects--Topical Terms:

1017541
Sociology, General.

Effable/ineffable: Fresh perspectives on the sociology of creativity (New York).
LDR:02301nmm 2200289 4500 001 1827507
005 20070104081150.5
008 130610s2006 eng d
020 $a 9780542462375
035 $a (UnM)AAI3199543
035 $a AAI3199543
040 $a UnM $c UnM
100 1 $a Brunton, Jennifer Elizabeth. $3 1916436
245 1 0 $a Effable/ineffable: Fresh perspectives on the sociology of creativity (New York).
300 $a 247 p.
500 $a Source: Dissertation Abstracts International, Volume: 66-12, Section: A, page: 4534.
500 $a Adviser: Priscilla Parkhurst Ferguson.
502 $a Thesis (Ph.D.)--Columbia University, 2006.
520 $a In my dissertation, I examine the creative process as it is described by artists themselves. I use interviews with, and observation of, thirteen more and less well-known New York City artists to research the interconnected lifeworlds of artists. My research design was intended to access multiple facets of artists' lives: their artistic training; their social and artistic environments; their creative processes and the ways they talk about these processes; their artworks and the ways they talk about these artworks; and the ways they talk about how their creations are related to their intentions as artists. The central impetus of my research design was the consideration of the more subtle elements of the creative process commonly ignored or dismissed in the discipline of sociology. My analysis resulted in three significant areas of original scholarship: strategies around background, environments, legitimacy and work; choices about identity and creativity; and inducted ways of thinking about and enacting creative work. I conclude that most of the so-called ineffable aspects of creativity are at once socially constructed and mediated by unique individuals in situations; more infrequently they remain indescribable. I locate this residual ineffable not in artists or in inspiration but in the liminal space between conception and execution of artworks.
590 $a School code: 0054.
650 4 $a Sociology, General. $3 1017541
650 4 $a Sociology, Theory and Methods. $3 626625
650 4 $a Art History. $3 635474
690 $a 0626
690 $a 0344
690 $a 0377
710 2 0 $a Columbia University. $3 571054
773 0 $t Dissertation Abstracts International $g 66-12A.
790 1 0 $a Ferguson, Priscilla Parkhurst, $e advisor
790 $a 0054
791 $a Ph.D.
792 $a 2006
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3199543