語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Seductive innocents, beautiful frien...
~
Shamoon, Deborah Michelle.
FindBook
Google Book
Amazon
博客來
Seductive innocents, beautiful friends: Representations of teenage girls in modern Japanese fiction and film.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Seductive innocents, beautiful friends: Representations of teenage girls in modern Japanese fiction and film./
作者:
Shamoon, Deborah Michelle.
面頁冊數:
357 p.
附註:
Source: Dissertation Abstracts International, Volume: 67-04, Section: A, page: 1346.
Contained By:
Dissertation Abstracts International67-04A.
標題:
Literature, Asian. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3211519
ISBN:
9780542619519
Seductive innocents, beautiful friends: Representations of teenage girls in modern Japanese fiction and film.
Shamoon, Deborah Michelle.
Seductive innocents, beautiful friends: Representations of teenage girls in modern Japanese fiction and film.
- 357 p.
Source: Dissertation Abstracts International, Volume: 67-04, Section: A, page: 1346.
Thesis (Ph.D.)--University of California, Berkeley, 2005.
The character of the teenage girl, or shojo , has been a pervasive image in modern Japanese literature, film, television, and manga throughout the twentieth century. The shojo character emerged in the highbrow literature of the Meiji period (1868--1912) as an appealing but threatening sexual partner for men and since then has continued to appear in both literature and film. It was not until the 1970s that a genre by and for girls themselves, and with mainstream cultural impact, appeared in the form of shojo manga, or teenage girls' comics. By analyzing representative works across genres and media, I trace the development of the patriarchal image of the threatening shojo that gained cultural currency in highbrow literature, and then circulated to popular culture in films and popular novels. I also examine the concurrent development of shojo bunka (girl culture) in girls' magazines and comic books, which created a private discourse of girlhood that continues to the present.
ISBN: 9780542619519Subjects--Topical Terms:
1017599
Literature, Asian.
Seductive innocents, beautiful friends: Representations of teenage girls in modern Japanese fiction and film.
LDR
:02915nmm 2200289 4500
001
1826008
005
20061206120645.5
008
130610s2005 eng d
020
$a
9780542619519
035
$a
(UnM)AAI3211519
035
$a
AAI3211519
040
$a
UnM
$c
UnM
100
1
$a
Shamoon, Deborah Michelle.
$3
1914981
245
1 0
$a
Seductive innocents, beautiful friends: Representations of teenage girls in modern Japanese fiction and film.
300
$a
357 p.
500
$a
Source: Dissertation Abstracts International, Volume: 67-04, Section: A, page: 1346.
500
$a
Adviser: Alan Tansman.
502
$a
Thesis (Ph.D.)--University of California, Berkeley, 2005.
520
$a
The character of the teenage girl, or shojo , has been a pervasive image in modern Japanese literature, film, television, and manga throughout the twentieth century. The shojo character emerged in the highbrow literature of the Meiji period (1868--1912) as an appealing but threatening sexual partner for men and since then has continued to appear in both literature and film. It was not until the 1970s that a genre by and for girls themselves, and with mainstream cultural impact, appeared in the form of shojo manga, or teenage girls' comics. By analyzing representative works across genres and media, I trace the development of the patriarchal image of the threatening shojo that gained cultural currency in highbrow literature, and then circulated to popular culture in films and popular novels. I also examine the concurrent development of shojo bunka (girl culture) in girls' magazines and comic books, which created a private discourse of girlhood that continues to the present.
520
$a
The patriarchal discourse of the shojo begins with the earliest modern Japanese novels, and continues to feature prominently in both high and low cultures. The first three chapters form one genealogy across high and low cultures in which the shojo appears as an object of male fascination and anxiety, in novels and films of the late nineteenth century to the present. In contrast to these male-directed images, the fourth and fifth chapters explore the shojo image as it is represented to, and by, the girls themselves in girls' magazines in the 1920s and 30s, and in girls' comics (shojo manga) beginning in the 1970s. Shojo manga, which has become one of the primary sites of cultural production in contemporary Japan, provides powerful, compelling images of girls free of the constraints of male anxiety. The image of the shojo as she appears in shojo manga has risen from low culture to challenge and perhaps eventually supplant the male-directed shojo image born in Meiji Japan.
590
$a
School code: 0028.
650
4
$a
Literature, Asian.
$3
1017599
650
4
$a
Cinema.
$3
854529
690
$a
0305
690
$a
0900
710
2 0
$a
University of California, Berkeley.
$3
687832
773
0
$t
Dissertation Abstracts International
$g
67-04A.
790
1 0
$a
Tansman, Alan,
$e
advisor
790
$a
0028
791
$a
Ph.D.
792
$a
2005
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3211519
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9216871
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入