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Notion and categories of space in co...

Caballero Cano, Francisco Javier.

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Notion and categories of space in contemporary sculpture: Settings, spatial interaction and work of art (Spanish text).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Notion and categories of space in contemporary sculpture: Settings, spatial interaction and work of art (Spanish text)./
作者:	Caballero Cano, Francisco Javier.
面頁冊數:	644 p.
附註:	Source: Dissertation Abstracts International, Volume: 66-11, Section: A, page: 3848.
Contained By:	Dissertation Abstracts International66-11A.
標題:	Landscape Architecture. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3198055
ISBN:	9780542422232

Notion and categories of space in contemporary sculpture: Settings, spatial interaction and work of art (Spanish text).
Caballero Cano, Francisco Javier.

Notion and categories of space in contemporary sculpture: Settings, spatial interaction and work of art (Spanish text). - 644 p.

Source: Dissertation Abstracts International, Volume: 66-11, Section: A, page: 3848.

Thesis (Dr.)--Universidad Politecnica de Valencia (Spain), 2005.

"Notion and categories of space in contemporary sculpture: settings, spatial interaction and work of art" is structured in four sections which, from the beginning, aim to clarify the concept of space in works of art which are free from rules and traditional regulations. These works make use of---or pervert---that notion in accordance with their personal plastic strategies.

ISBN: 9780542422232Subjects--Topical Terms:

890923
Landscape Architecture.

Notion and categories of space in contemporary sculpture: Settings, spatial interaction and work of art (Spanish text).
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100 1 $a Caballero Cano, Francisco Javier. $3 1911626
245 1 0 $a Notion and categories of space in contemporary sculpture: Settings, spatial interaction and work of art (Spanish text).
300 $a 644 p.
500 $a Source: Dissertation Abstracts International, Volume: 66-11, Section: A, page: 3848.
500 $a Adviser: Juan Romera Agullo.
502 $a Thesis (Dr.)--Universidad Politecnica de Valencia (Spain), 2005.
520 $a "Notion and categories of space in contemporary sculpture: settings, spatial interaction and work of art" is structured in four sections which, from the beginning, aim to clarify the concept of space in works of art which are free from rules and traditional regulations. These works make use of---or pervert---that notion in accordance with their personal plastic strategies.
520 $a In section I, we try to define the level of importance involved by space, spatial singularity, in modern works of art, by considering it as an artistic element itself, specially in sculpture.
520 $a Section II includes a reflection on the consequences resulted from giving up traditional methods and materials in sculpture---its transformation into artistic object and its subsequent insertion in settings which might reinforce or contradict its aesthetic status. Likewise, this section analyses the duality space/sculpture, the art place, as a means of communication/exhibition, since this might become an aesthetic determining factor to value a work of art in plastic terms.
520 $a In section III, we study some contemporary proposals which stimulate a new perspective in relation to art and its fundamental prerogatives. Ever since the dadaist resolutions or the environmental art in the sixties, it is required an analysis of the modern sculptor's incursions---or the painter's---in a type of art inscribing and codifying its particular plastic options by means of the configuration of a total space (installations) . This analysis should put forward, even if tangentially, the peculiarities of a new plastic writing which erects its discourse in a space articulated by the quaintness of objects and materials. Its gestation may take place from the most basic materials of povera art, to the latest and most sophisticated technology, for instance laser.
520 $a Finally, section IV analyzes the most eye-catching aspects of some plastic initiatives placed in certain outstanding locations. From our point of view, they show to a large extent the spatial singularity and the eventual interaction taking place between works of art and their most genuine settings.
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