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Disidencias en la literatura y cine ...
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Fernandez-Babineaux, Maria C.
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Disidencias en la literatura y cine latinoamericano y peninsular (Spanish text, Clarice Lispector, Brazil, Luisa Valenzuela, Argentina, Carmen Laforet, Ana Maria Matute).
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Disidencias en la literatura y cine latinoamericano y peninsular (Spanish text, Clarice Lispector, Brazil, Luisa Valenzuela, Argentina, Carmen Laforet, Ana Maria Matute)./
作者:
Fernandez-Babineaux, Maria C.
面頁冊數:
225 p.
附註:
Source: Dissertation Abstracts International, Volume: 66-03, Section: A, page: 0986.
Contained By:
Dissertation Abstracts International66-03A.
標題:
Cinema. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3170366
ISBN:
9780542065903
Disidencias en la literatura y cine latinoamericano y peninsular (Spanish text, Clarice Lispector, Brazil, Luisa Valenzuela, Argentina, Carmen Laforet, Ana Maria Matute).
Fernandez-Babineaux, Maria C.
Disidencias en la literatura y cine latinoamericano y peninsular (Spanish text, Clarice Lispector, Brazil, Luisa Valenzuela, Argentina, Carmen Laforet, Ana Maria Matute).
- 225 p.
Source: Dissertation Abstracts International, Volume: 66-03, Section: A, page: 0986.
Thesis (Ph.D.)--Tulane University, 2005.
This dissertation examines dissidences in Latin American and Spanish Literature and Cinema. It analyzes dissidence as a rupture with mainstream views of writing, socio-political tendencies and traditional gender patterns.
ISBN: 9780542065903Subjects--Topical Terms:
854529
Cinema.
Disidencias en la literatura y cine latinoamericano y peninsular (Spanish text, Clarice Lispector, Brazil, Luisa Valenzuela, Argentina, Carmen Laforet, Ana Maria Matute).
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Disidencias en la literatura y cine latinoamericano y peninsular (Spanish text, Clarice Lispector, Brazil, Luisa Valenzuela, Argentina, Carmen Laforet, Ana Maria Matute).
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225 p.
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Source: Dissertation Abstracts International, Volume: 66-03, Section: A, page: 0986.
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Directors: Ana M. Lopez; Christopher Dunn.
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Thesis (Ph.D.)--Tulane University, 2005.
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This dissertation examines dissidences in Latin American and Spanish Literature and Cinema. It analyzes dissidence as a rupture with mainstream views of writing, socio-political tendencies and traditional gender patterns.
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In Chapter I, I study Clarice Lispector's Agua viva (1971) and its dissent with what is called ecriture feminine and "escrotura" or male writing. I examine Lispector's writing as a representation of a written structure and style that cannot be categorized in neither of the two groups, and how she creates an androgynous text in relation to the deleuzian theory of the body without organs.
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In Chapter II, I analyze two post-civil war Spanish novels: Carmen Laforet's Nada (1943) and Ana Maria Matute's Primera memoria (1955) in relation to the social dissidence. Both novels dismantle the moral bastions of Franco's Spain: nation, family and religion using the intertextuality with the sacred texts and the fairy tales to mock the strict moral values of Franco's dictatorship.
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In Chapter III, I examine the Brazilian film Eu,tu,eles (2000) as an example of dissidence of gender patterns in relation with the lacanian theories of female sexual pleasure. Andrucha Waddignton represents a woman from the Brazilian sertao, who breaks with all the conventions of "femininity" in a historical patriarchal society.
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In Chapter IV, I look at Luisa Valenzuela's El gato eficaz (1972) as a gaze of all the three dissidences observed in this dissertation. This work ties together written, social and gender patterns dissidences showing a text that impedes labeling as a text. Also it comes across the social dissidence during the so-called Argentinean dirty war, and how the female body as a site of subversion resists as the last mainstay that individuals had.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3170366
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