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The repetition of revolution in Mexi...

Fenoglio Limon, Irene Catalina.

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The repetition of revolution in Mexican literature from "Los de abajo" to the Zapatista communiques (Mariano Azuela, Juan Rulfo, Hector Aguilar Camin).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The repetition of revolution in Mexican literature from "Los de abajo" to the Zapatista communiques (Mariano Azuela, Juan Rulfo, Hector Aguilar Camin)./
作者:	Fenoglio Limon, Irene Catalina.
面頁冊數:	213 p.
附註:	Source: Dissertation Abstracts International, Volume: 66-03, Section: A, page: 0986.
Contained By:	Dissertation Abstracts International66-03A.
標題:	Literature, Comparative. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3167331
ISBN:	9780542034817

The repetition of revolution in Mexican literature from "Los de abajo" to the Zapatista communiques (Mariano Azuela, Juan Rulfo, Hector Aguilar Camin).
Fenoglio Limon, Irene Catalina.

The repetition of revolution in Mexican literature from "Los de abajo" to the Zapatista communiques (Mariano Azuela, Juan Rulfo, Hector Aguilar Camin). - 213 p.

Source: Dissertation Abstracts International, Volume: 66-03, Section: A, page: 0986.

Thesis (Ph.D.)--State University of New York at Binghamton, 2005.

This dissertation examines the recurrence of the revolution in Mexican literature during the twentieth-century. I evaluate particular representations of the revolution in three texts written at different historical moments. Also, I assess the reemergence of the topic throughout time. Using this framework, it surfaces that the novels examined play an important role in both canceling and upholding the possibility of revolution.

ISBN: 9780542034817Subjects--Topical Terms:

530051
Literature, Comparative.

The repetition of revolution in Mexican literature from "Los de abajo" to the Zapatista communiques (Mariano Azuela, Juan Rulfo, Hector Aguilar Camin).
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100 1 $a Fenoglio Limon, Irene Catalina. $3 1911414
245 1 4 $a The repetition of revolution in Mexican literature from "Los de abajo" to the Zapatista communiques (Mariano Azuela, Juan Rulfo, Hector Aguilar Camin).
300 $a 213 p.
500 $a Source: Dissertation Abstracts International, Volume: 66-03, Section: A, page: 0986.
500 $a Adviser: Brett Levinson.
502 $a Thesis (Ph.D.)--State University of New York at Binghamton, 2005.
520 $a This dissertation examines the recurrence of the revolution in Mexican literature during the twentieth-century. I evaluate particular representations of the revolution in three texts written at different historical moments. Also, I assess the reemergence of the topic throughout time. Using this framework, it surfaces that the novels examined play an important role in both canceling and upholding the possibility of revolution.
520 $a The opening chapter examines Mariano Azuela's Los de abajo, the novel that inaugurates the tradition of the presence of the Mexican Revolution in literature. I contend that the modern form of this novel can be read as an aesthetic attempt to compensate for the modernity the Mexican Revolution failed to deliver. Because of its "revolutionary" qualities (an innovative literary structure and a particular portrayal of the Mexican Revolution), this work grew firmly established as part of the Mexican and Latin American literary canons, in part due to the assumption that a modernist form adequately "reflects" the modernizing effects of the Revolution on the nation.
520 $a Chapter two studies Pedro Paramo, by Juan Rulfo, a novel that represents the transition between realism and modernism in Mexican literature. I draw a parallel between literary modernism, the Mexican Revolution and modernization, and narrative in general in order to show that, in Pedro Paramo, literature offers no compensation for the failure of the Revolution, nor does it account for its untold narrative.
520 $a The third chapter addresses La guerra de Galio by Hector Aguilar Camin. I argue that this work constitutes a statement regarding the proper and final burial not only of the idea of revolution, but of the modernist novel as well. The text uses and exhausts the possibilities of the so-called experimental novel in order to question the value of innovation and originality themselves. The work annuls the illusion that "the revolutionary" (in literature, politics or history) represents a plausible option for change.
520 $a The study concludes by projecting the issues discussed to the analysis of the Zapatista National Liberation Army, a social struggle for which the written word has been a fundamental weapon.
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650 4 $a Literature, Latin American. $3 1024734
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790 $a 0792
791 $a Ph.D.
792 $a 2005
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