東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Remembering, interpreting, and quoti...

Lamas, Rafael.

Linked to FindBook

Google Book

Amazon

博客來

Remembering, interpreting, and quoting traditional popular culture: Cultural memory in Manuel de Falla's "El amor brujo" and Federico Garcia Lorca's "Poema del cante jondo" (Spain).

Record Type:	Electronic resources : Monograph/item
Title/Author:	Remembering, interpreting, and quoting traditional popular culture: Cultural memory in Manuel de Falla's "El amor brujo" and Federico Garcia Lorca's "Poema del cante jondo" (Spain)./
Author:	Lamas, Rafael.
Description:	234 p.
Notes:	Source: Dissertation Abstracts International, Volume: 63-12, Section: A, page: 4331.
Contained By:	Dissertation Abstracts International63-12A.
Subject:	Literature, Romance. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3075505
ISBN:	9780493957142

Remembering, interpreting, and quoting traditional popular culture: Cultural memory in Manuel de Falla's "El amor brujo" and Federico Garcia Lorca's "Poema del cante jondo" (Spain).
Lamas, Rafael.

Remembering, interpreting, and quoting traditional popular culture: Cultural memory in Manuel de Falla's "El amor brujo" and Federico Garcia Lorca's "Poema del cante jondo" (Spain). - 234 p.

Source: Dissertation Abstracts International, Volume: 63-12, Section: A, page: 4331.

Thesis (Ph.D.)--New York University, 2003.

The notion of "depth" is frequently invoked in discussions of flamenco; indeed, one of flamenco's most important modalities---cante jondo---is an explicit claim to profundity. This dissertation explores how Manuel de Falla's El amor brujo and Federico Garcia Lorca's Poema del cante jondo approach that depth. Rather than reproducing documents or languages of flamenco to appropriate their supposed reified content or essential knowledge, Falla's and Lorca's works, I argue, reconstruct the practices of producing meaning of traditional flamenco. They re-create (that is, create again) the interplay between artists and audience at the traditional flamenco performance by offering bold metaphors, symbols, and narratives that promote the listener or reader's hermeneutic production of meaning for the texts. This practice of quoting not meanings, but rather traditional popular processes of producing meaning, is what is here meant by cultural memory. Theories of memory from Vico to Ricoeur help to conceptualize Falla and Lorca's alternative, which opens a transforming horizon in the panorama of Spain's essentialist casticismo and Europe's orientalist modernity by proposing a model of avant-garde based on the hermeneutic appropriation of traditional popular cultures. The hermeneutic understanding of cultural memory considers the idealistic and determinist faithful reproductions of traditional popular documents, along with notions such as authenticity, precision, integrity, and purity, to be cultural manipulations. In contrast, Falla and Lorca address flamenco as a means to promote poetic interpretation, which re-creates the beginning acts of communication that, in a mythical or at least methodological sense, are the foundations of human communities, recognizing the other beyond the strategies of domination.

ISBN: 9780493957142Subjects--Topical Terms:

1019014
Literature, Romance.

Remembering, interpreting, and quoting traditional popular culture: Cultural memory in Manuel de Falla's "El amor brujo" and Federico Garcia Lorca's "Poema del cante jondo" (Spain).
LDR:02816nmm 2200277 4500 001 1821539
005 20061114121655.5
008 130610s2003 eng d
020 $a 9780493957142
035 $a (UnM)AAI3075505
035 $a AAI3075505
040 $a UnM $c UnM
100 1 $a Lamas, Rafael. $3 1910718
245 1 0 $a Remembering, interpreting, and quoting traditional popular culture: Cultural memory in Manuel de Falla's "El amor brujo" and Federico Garcia Lorca's "Poema del cante jondo" (Spain).
300 $a 234 p.
500 $a Source: Dissertation Abstracts International, Volume: 63-12, Section: A, page: 4331.
500 $a Adviser: Eduardo Subirats.
502 $a Thesis (Ph.D.)--New York University, 2003.
520 $a The notion of "depth" is frequently invoked in discussions of flamenco; indeed, one of flamenco's most important modalities---cante jondo---is an explicit claim to profundity. This dissertation explores how Manuel de Falla's El amor brujo and Federico Garcia Lorca's Poema del cante jondo approach that depth. Rather than reproducing documents or languages of flamenco to appropriate their supposed reified content or essential knowledge, Falla's and Lorca's works, I argue, reconstruct the practices of producing meaning of traditional flamenco. They re-create (that is, create again) the interplay between artists and audience at the traditional flamenco performance by offering bold metaphors, symbols, and narratives that promote the listener or reader's hermeneutic production of meaning for the texts. This practice of quoting not meanings, but rather traditional popular processes of producing meaning, is what is here meant by cultural memory. Theories of memory from Vico to Ricoeur help to conceptualize Falla and Lorca's alternative, which opens a transforming horizon in the panorama of Spain's essentialist casticismo and Europe's orientalist modernity by proposing a model of avant-garde based on the hermeneutic appropriation of traditional popular cultures. The hermeneutic understanding of cultural memory considers the idealistic and determinist faithful reproductions of traditional popular documents, along with notions such as authenticity, precision, integrity, and purity, to be cultural manipulations. In contrast, Falla and Lorca address flamenco as a means to promote poetic interpretation, which re-creates the beginning acts of communication that, in a mythical or at least methodological sense, are the foundations of human communities, recognizing the other beyond the strategies of domination.
590 $a School code: 0146.
650 4 $a Literature, Romance. $3 1019014
650 4 $a Music. $3 516178
690 $a 0313
690 $a 0413
710 2 0 $a New York University. $3 515735
773 0 $t Dissertation Abstracts International $g 63-12A.
790 1 0 $a Subirats, Eduardo, $e advisor
790 $a 0146
791 $a Ph.D.
792 $a 2003
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3075505