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The life story of the Cemberlitas Ha...
~
Cichocki, Nina.
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The life story of the Cemberlitas Hamam: From bath to tourist attraction (Turkey).
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The life story of the Cemberlitas Hamam: From bath to tourist attraction (Turkey)./
作者:
Cichocki, Nina.
面頁冊數:
612 p.
附註:
Source: Dissertation Abstracts International, Volume: 66-04, Section: A, page: 1197.
Contained By:
Dissertation Abstracts International66-04A.
標題:
Art History. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3172790
ISBN:
9780542099069
The life story of the Cemberlitas Hamam: From bath to tourist attraction (Turkey).
Cichocki, Nina.
The life story of the Cemberlitas Hamam: From bath to tourist attraction (Turkey).
- 612 p.
Source: Dissertation Abstracts International, Volume: 66-04, Section: A, page: 1197.
Thesis (Ph.D.)--University of Minnesota, 2005.
This dissertation traces the life story of the Cemberlitas Hamam, Istanbul. The hamam's genealogy considers the development of baths, from Ancient Greece and Rome over Late Antiquity to the Early Islamic Period in Arabia and Iran, to Medieval Anatolia and, finally, to Ottoman Istanbul. The following chapter outlines some of the hamams' multifarious meanings: religious, social, political, and medical. The economic significance of the Cemberlitas Hamam is examined in the context of the bath's family network: Nurbanu Sultan's endowed mosque complex in Uskudar. Together with its siblings, three other hamams in Istanbul, it had to provide income for this family. The circumstances of the hamam's birth in 1583/84 are the subject of Chapter Four. The chapter "Making Money" examines the business aspects of the hamam, such as employees, guilds, regulations, and entrance fees. The eighteenth century was a period of renovations and repairs, as four hundred years of wear and tear, fires and earthquakes had started to take its toll; Chapter Five investigates these renovation activities. Between 1800 and 1923, the hamam entered a new economic context, as it was administratively severed from its family network. Concurrently, it took on new values in an Ottoman Empire attempting to define itself as European and modern. While hamams were featured among the Ottoman pavilions at nineteenth-century World Fairs, the Cemberlitas Hamam suffered mutilation at the hands of the Commission for Road Improvement. In the Early Republic, attitudes towards the Ottoman built heritage were laden with similarly ambiguous sentiments. However, in the second half of the twentieth century the hamam took on a new identity: that of a tourist attraction. Now the bath has become a space contested/shared by its employees and managers, by Turkish and foreign visitors. A discussion of the hamam as a node in a network of global flows underscores how this institution has exchanged its place in the endowment's network for the network of global tourism. In that sense, the Cemberlitas Hamam has never been a strictly local institution, but has always extended beyond its physical location.
ISBN: 9780542099069Subjects--Topical Terms:
635474
Art History.
The life story of the Cemberlitas Hamam: From bath to tourist attraction (Turkey).
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This dissertation traces the life story of the Cemberlitas Hamam, Istanbul. The hamam's genealogy considers the development of baths, from Ancient Greece and Rome over Late Antiquity to the Early Islamic Period in Arabia and Iran, to Medieval Anatolia and, finally, to Ottoman Istanbul. The following chapter outlines some of the hamams' multifarious meanings: religious, social, political, and medical. The economic significance of the Cemberlitas Hamam is examined in the context of the bath's family network: Nurbanu Sultan's endowed mosque complex in Uskudar. Together with its siblings, three other hamams in Istanbul, it had to provide income for this family. The circumstances of the hamam's birth in 1583/84 are the subject of Chapter Four. The chapter "Making Money" examines the business aspects of the hamam, such as employees, guilds, regulations, and entrance fees. The eighteenth century was a period of renovations and repairs, as four hundred years of wear and tear, fires and earthquakes had started to take its toll; Chapter Five investigates these renovation activities. Between 1800 and 1923, the hamam entered a new economic context, as it was administratively severed from its family network. Concurrently, it took on new values in an Ottoman Empire attempting to define itself as European and modern. While hamams were featured among the Ottoman pavilions at nineteenth-century World Fairs, the Cemberlitas Hamam suffered mutilation at the hands of the Commission for Road Improvement. In the Early Republic, attitudes towards the Ottoman built heritage were laden with similarly ambiguous sentiments. However, in the second half of the twentieth century the hamam took on a new identity: that of a tourist attraction. Now the bath has become a space contested/shared by its employees and managers, by Turkish and foreign visitors. A discussion of the hamam as a node in a network of global flows underscores how this institution has exchanged its place in the endowment's network for the network of global tourism. In that sense, the Cemberlitas Hamam has never been a strictly local institution, but has always extended beyond its physical location.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3172790
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