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The fabrication of the modern media:...

Kulsrud, Peter.

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The fabrication of the modern media: An investigation into the theater and its impact on public life in Paris (1760--1835) (France).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The fabrication of the modern media: An investigation into the theater and its impact on public life in Paris (1760--1835) (France)./
作者:	Kulsrud, Peter.
面頁冊數:	579 p.
附註:	Source: Dissertation Abstracts International, Volume: 66-04, Section: A, page: 1467.
Contained By:	Dissertation Abstracts International66-04A.
標題:	History, European. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3170846
ISBN:	9780542071782

The fabrication of the modern media: An investigation into the theater and its impact on public life in Paris (1760--1835) (France).
Kulsrud, Peter.

The fabrication of the modern media: An investigation into the theater and its impact on public life in Paris (1760--1835) (France). - 579 p.

Source: Dissertation Abstracts International, Volume: 66-04, Section: A, page: 1467.

Thesis (Ph.D.)--New York University, 2005.

"The Fabrication of the Modern Media" explores the growth of theater as an urban public space in Paris between 1760 and 1835. Specifically, I argue that during this period, the rise of the public sphere, government administration and theater criticism exercised a secularizing influence which worked to lessen the mystical or cathartic power of the theater and to temper and tame free and improvised public expression in Paris during the Age of Revolution.

ISBN: 9780542071782Subjects--Topical Terms:

1018076
History, European.

The fabrication of the modern media: An investigation into the theater and its impact on public life in Paris (1760--1835) (France).
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245 1 4 $a The fabrication of the modern media: An investigation into the theater and its impact on public life in Paris (1760--1835) (France).
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500 $a Adviser: Darline Levy.
502 $a Thesis (Ph.D.)--New York University, 2005.
520 $a "The Fabrication of the Modern Media" explores the growth of theater as an urban public space in Paris between 1760 and 1835. Specifically, I argue that during this period, the rise of the public sphere, government administration and theater criticism exercised a secularizing influence which worked to lessen the mystical or cathartic power of the theater and to temper and tame free and improvised public expression in Paris during the Age of Revolution.
520 $a In Part One, I investigate the changes that took place in the theater, theater culture and the theater public. I relate the theater to the rise of spectacle in civic life. I examine the part played by the government in shaping and containing the growth of commercial and state theaters. Finally, I consider the expansion of police surveillance of theaters and its impact on public behavior. Part Two treats the relation of the press to the theater. Beginning with the Enlightenment, I trace the rise of a literary public sphere (in the academies, salons, universities and newspapers) and analyze the influence that theater reviewers had on theatrical production and the public. I evaluate the part played by theater critics during the Enlightenment and Revolution in promoting secularized forms of drama. Then I discuss the role reviewers played, under the regimes that followed the Revolution, in attenuating the emotional impact of the drama.
520 $a By underscoring the relation between the theater and the press, my thesis speaks to historical debates over the extent to which the rise of the public sphere in eighteenth and early nineteenth Paris represented a shift from the visual and theatrical culture of the courts of the seventeenth century to a rationalized print culture. My thesis also contributes to current debates over whether or not the growth of the culture industry has led to a decline in individual involvement and concern which is said to have accompanied the transformation of the small community into the modern city.
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