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Krzysztof Penderecki's Concerto for ...

Chang, I-Ting.

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Krzysztof Penderecki's Concerto for Viola and Orchestra: An analysis and performer's guide (Poland).

Record Type:	Electronic resources : Monograph/item
Title/Author:	Krzysztof Penderecki's Concerto for Viola and Orchestra: An analysis and performer's guide (Poland)./
Author:	Chang, I-Ting.
Description:	81 p.
Notes:	Source: Dissertation Abstracts International, Volume: 66-04, Section: A, page: 1207.
Contained By:	Dissertation Abstracts International66-04A.
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3171132
ISBN:	0542079046

Krzysztof Penderecki's Concerto for Viola and Orchestra: An analysis and performer's guide (Poland).
Chang, I-Ting.

Krzysztof Penderecki's Concerto for Viola and Orchestra: An analysis and performer's guide (Poland). - 81 p.

Source: Dissertation Abstracts International, Volume: 66-04, Section: A, page: 1207.

Thesis (D.M.A.)--Boston University, 2005.

This dissertation focuses on detailed tonal and linear analysis of the Concerto for Viola and Orchestra (1983) by Krzysztof Penderecki. The aim of the study is to provide valuable information to students who are in the process of learning the concerto. The dissertation begins with a brief biography of Krzysztof Penderecki, discussions of his style periods, and how his music became important in the twentieth century. Information about his concertante works for solo string instruments such as violin, viola and cello with orchestra are provided as part of the historical background. A detailed tonal analysis of the concerto consisting of form, motivic development, intervallic structure, counterpoint, rhythmic patterns, pedal tones and harmony are discussed. Rehearsal numbers from the original score and measure numbers provided by the author are used in the analysis. Diagrams containing information about the structure and instrumentation are also provided. A study and comparison between the original and the revised editions are included. Scores discussed include the orchestral scores, the two versions of the solo viola part, and the transcribed solo cello part. The dissertation ends with selected performance suggestions for the student, including choices of fingering, bowing, phrasing and vibrato. The last chapter also includes remarks concerning the relationship between the viola and the piano accompaniment.

ISBN: 0542079046Subjects--Topical Terms:

516178
Music.

Krzysztof Penderecki's Concerto for Viola and Orchestra: An analysis and performer's guide (Poland).
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100 1 $a Chang, I-Ting. $3 1906999
245 1 0 $a Krzysztof Penderecki's Concerto for Viola and Orchestra: An analysis and performer's guide (Poland).
300 $a 81 p.
500 $a Source: Dissertation Abstracts International, Volume: 66-04, Section: A, page: 1207.
500 $a Major Professor: Samuel Headrick.
502 $a Thesis (D.M.A.)--Boston University, 2005.
520 $a This dissertation focuses on detailed tonal and linear analysis of the Concerto for Viola and Orchestra (1983) by Krzysztof Penderecki. The aim of the study is to provide valuable information to students who are in the process of learning the concerto. The dissertation begins with a brief biography of Krzysztof Penderecki, discussions of his style periods, and how his music became important in the twentieth century. Information about his concertante works for solo string instruments such as violin, viola and cello with orchestra are provided as part of the historical background. A detailed tonal analysis of the concerto consisting of form, motivic development, intervallic structure, counterpoint, rhythmic patterns, pedal tones and harmony are discussed. Rehearsal numbers from the original score and measure numbers provided by the author are used in the analysis. Diagrams containing information about the structure and instrumentation are also provided. A study and comparison between the original and the revised editions are included. Scores discussed include the orchestral scores, the two versions of the solo viola part, and the transcribed solo cello part. The dissertation ends with selected performance suggestions for the student, including choices of fingering, bowing, phrasing and vibrato. The last chapter also includes remarks concerning the relationship between the viola and the piano accompaniment.
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