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The clarinet in the vocal chamber mu...
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Dell, Amanda Proctor.
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The clarinet in the vocal chamber music of Anton Webern (Austria).
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The clarinet in the vocal chamber music of Anton Webern (Austria)./
作者:
Dell, Amanda Proctor.
面頁冊數:
205 p.
附註:
Source: Dissertation Abstracts International, Volume: 66-03, Section: A, page: 0808.
Contained By:
Dissertation Abstracts International66-03A.
標題:
Music. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3168759
ISBN:
0542053276
The clarinet in the vocal chamber music of Anton Webern (Austria).
Dell, Amanda Proctor.
The clarinet in the vocal chamber music of Anton Webern (Austria).
- 205 p.
Source: Dissertation Abstracts International, Volume: 66-03, Section: A, page: 0808.
Thesis (D.M.A.)--University of Cincinnati, 2005.
This thesis is an examination of all of Anton Webern's vocal chamber works that include the clarinet: Opp. 8, 13, 14, 15, 16, 17, and 18. It provides relevant biographical information and background material for each song in addition to a brief discussion of the text and an explanation of the formal structure. The thesis includes a discussion of the clarinet parts from the viewpoint of a performer and pedagogue, and explores possible reasons or motivations for Webern choosing the clarinet as well as reasons for the type of clarinet (B-flat, E-flat, bass) he chose. It describes how the clarinet is used with the voice for the purpose of expressing Webern's carefully chosen texts: those that reflected his passion for nature, his religious beliefs, and his love for family.
ISBN: 0542053276Subjects--Topical Terms:
516178
Music.
The clarinet in the vocal chamber music of Anton Webern (Austria).
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This thesis is an examination of all of Anton Webern's vocal chamber works that include the clarinet: Opp. 8, 13, 14, 15, 16, 17, and 18. It provides relevant biographical information and background material for each song in addition to a brief discussion of the text and an explanation of the formal structure. The thesis includes a discussion of the clarinet parts from the viewpoint of a performer and pedagogue, and explores possible reasons or motivations for Webern choosing the clarinet as well as reasons for the type of clarinet (B-flat, E-flat, bass) he chose. It describes how the clarinet is used with the voice for the purpose of expressing Webern's carefully chosen texts: those that reflected his passion for nature, his religious beliefs, and his love for family.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3168759
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