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Capetian women and their books: Art...

Schowalter, Kathleen S.

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Capetian women and their books: Art, ideology, and dynastic continuity in medieval France.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Capetian women and their books: Art, ideology, and dynastic continuity in medieval France./
作者:	Schowalter, Kathleen S.
面頁冊數:	364 p.
附註:	Source: Dissertation Abstracts International, Volume: 66-04, Section: A, page: 1201.
Contained By:	Dissertation Abstracts International66-04A.
標題:	Art History. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3172690
ISBN:	0542104881

Capetian women and their books: Art, ideology, and dynastic continuity in medieval France.
Schowalter, Kathleen S.

Capetian women and their books: Art, ideology, and dynastic continuity in medieval France. - 364 p.

Source: Dissertation Abstracts International, Volume: 66-04, Section: A, page: 1201.

Thesis (Ph.D.)--The Johns Hopkins University, 2005.

My dissertation identifies a functional interrelationship between art, religion, and politics in the thirteenth-century French court through detailed case studies of luxurious illuminated manuscripts produced for royal women. Although codices de grande luxe, the three books at the center of this dissertation, the Ingeborg Psalter (Chantilly, Musee Conde MS 1695), the Psalter of Blanche of Castile (Paris, Bibliotheque de l'Arsenal MS 1186), and the Isabella Psalter-Hours (Cambridge, Fitzwilliam Museum, MS 300), are first and foremost prayerbooks, made for the personal and private devotions of three successive queens of France, Ingeborg of Denmark, Blanche of Castile, and Margaret of Provence. The centrality of this devotional element has never before been explored in conjunction with a central tenet of Capetian dynastic ideology---the importance of a proper spiritual status for the continuity of the dynasty.

ISBN: 0542104881Subjects--Topical Terms:

635474
Art History.

Capetian women and their books: Art, ideology, and dynastic continuity in medieval France.
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502 $a Thesis (Ph.D.)--The Johns Hopkins University, 2005.
520 $a My dissertation identifies a functional interrelationship between art, religion, and politics in the thirteenth-century French court through detailed case studies of luxurious illuminated manuscripts produced for royal women. Although codices de grande luxe, the three books at the center of this dissertation, the Ingeborg Psalter (Chantilly, Musee Conde MS 1695), the Psalter of Blanche of Castile (Paris, Bibliotheque de l'Arsenal MS 1186), and the Isabella Psalter-Hours (Cambridge, Fitzwilliam Museum, MS 300), are first and foremost prayerbooks, made for the personal and private devotions of three successive queens of France, Ingeborg of Denmark, Blanche of Castile, and Margaret of Provence. The centrality of this devotional element has never before been explored in conjunction with a central tenet of Capetian dynastic ideology---the importance of a proper spiritual status for the continuity of the dynasty.
520 $a I argue that the queen's role, within Capetian ideology, was not passive or mechanical but rather active and central. Her performance of her spirituality was necessary for her fertility, the education of the heir, and her counsel of the heir and king. By articulating the centrality of the queen's spirituality within Capetian ideology, I posit that although 'symbolic', the queen's role was deeply necessary for the continuity and identity of the dynasty. Through the manipulation and inflection of biblical narratives, iconography, and contemporary symbols and/or rituals, each book teaches each royal woman something about what she should know, do, or be. Each of these prayerbooks responds visually to critical moments in French history. Moreover, through the relationship between religious and political imagery in the books, the books' makers grounded statements about the salvation of the individual and the dynasty in the particularly authorizing language of the Bible. Thus these books served to not only teach each queen what she needed to know, but also motivated her behavior, and provided the means by which she could fulfill her roles.
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