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The talking drum: Critical memory i...

Hopson, Mark C.

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The talking drum: Critical memory in intercultural communication research.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The talking drum: Critical memory in intercultural communication research./
作者:	Hopson, Mark C.
面頁冊數:	166 p.
附註:	Source: Dissertation Abstracts International, Volume: 66-05, Section: A, page: 1559.
Contained By:	Dissertation Abstracts International66-05A.
標題:	Speech Communication. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3175382
ISBN:	0542136856

The talking drum: Critical memory in intercultural communication research.
Hopson, Mark C.

The talking drum: Critical memory in intercultural communication research. - 166 p.

Source: Dissertation Abstracts International, Volume: 66-05, Section: A, page: 1559.

Thesis (Ph.D.)--Ohio University, 2005.

Recognizing that the dominant intercultural communication scholarly discourses do not accurately reflect the experiences of African Americans, this dissertation is a rhetorical exploration of how African American rhetors make sense of their lived experiences. Beginning with an African-centered examination of Richard Wright's (1944, 1945) Black Boy, bell hooks's (1996) Bone Black: Memories of Girlhood, and Ralph Ellison's (1947/1972) Invisible Man, this dissertation identifies new ways of understanding Black communication as intercultural communication and, more distinctly, co-cultural communication practice.

ISBN: 0542136856Subjects--Topical Terms:

1017408
Speech Communication.

The talking drum: Critical memory in intercultural communication research.
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500 $a Directors: Raymie McKerrow; David Descutner.
502 $a Thesis (Ph.D.)--Ohio University, 2005.
520 $a Recognizing that the dominant intercultural communication scholarly discourses do not accurately reflect the experiences of African Americans, this dissertation is a rhetorical exploration of how African American rhetors make sense of their lived experiences. Beginning with an African-centered examination of Richard Wright's (1944, 1945) Black Boy, bell hooks's (1996) Bone Black: Memories of Girlhood, and Ralph Ellison's (1947/1972) Invisible Man, this dissertation identifies new ways of understanding Black communication as intercultural communication and, more distinctly, co-cultural communication practice.
520 $a This dissertation reveals that the distinct and nonmonolithic communicative experiences of African American rhetors inform and extend prior investigations of intercultural communication. An African-centered approach to communication research highlights voices of the past and present to reveal a collective understanding of the Black experience. This dissertation posed three research questions, and from its analysis emerged interconnected themes that provide insight into our understandings of Black communication as a unique co-cultural communication practice of the iterativity of racism/White privilege in voice, gaze, and space; and of the ways in which African American rhetorical traditions work to express, resist, and transform the Black experience.
520 $a One significant contribution of this study is its attempt to place the nonmonolithic Black experience at the center of intercultural communication research. By drawing from the critical memories of Black rhetors, this dissertation advances intercultural sensitivity and anti-racist dialogue. Conversely, one limitation of this study is its limited focus that neither speaks for nor represents the overall African American population.
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