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Fashioning Quaker identity: Nineteen...

Cline, Emily Constance.

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Fashioning Quaker identity: Nineteenth-century women's clothing in the Friends' Historical Association Collection.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Fashioning Quaker identity: Nineteenth-century women's clothing in the Friends' Historical Association Collection./
作者:	Cline, Emily Constance.
面頁冊數:	214 p.
附註:	Source: Masters Abstracts International, Volume: 43-06, page: 1865.
Contained By:	Masters Abstracts International43-06.
標題:	Design and Decorative Arts. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1426013
ISBN:	054205499X

Fashioning Quaker identity: Nineteenth-century women's clothing in the Friends' Historical Association Collection.
Cline, Emily Constance.

Fashioning Quaker identity: Nineteenth-century women's clothing in the Friends' Historical Association Collection. - 214 p.

Source: Masters Abstracts International, Volume: 43-06, page: 1865.

Thesis (M.A.)--University of Delaware (Winterthur Program), 2005.

Scholars have debated the distinctiveness of Quaker dress since the 1901 publication of Amelia Mott Gummere's The Quaker: A Study in Costume. Gummere's involvement in the Friends' Historical Association (FHA) in Philadelphia resulted in a collection of Quaker artifacts, including a large number of garments, which now reside at the Atwater Kent Museum of Philadelphia. This thesis first examines the definitions of Quaker dress established in clothing scholarship looking to Amelia Gummere's work. It then explores the development of the FHA collection as a Colonial Revival institution which used ancestral clothing to fashion Quaker identity in pageants and tableaux during the early twentieth century. Finally, this thesis interprets the construction and use of selected nineteenth-century women's garments as primary evidence in support of continuing discussions about degrees of "Quakerness" in Friends' clothing.

ISBN: 054205499XSubjects--Topical Terms:

1024640
Design and Decorative Arts.

Fashioning Quaker identity: Nineteenth-century women's clothing in the Friends' Historical Association Collection.
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500 $a Adviser: Linda Eaton.
502 $a Thesis (M.A.)--University of Delaware (Winterthur Program), 2005.
520 $a Scholars have debated the distinctiveness of Quaker dress since the 1901 publication of Amelia Mott Gummere's The Quaker: A Study in Costume. Gummere's involvement in the Friends' Historical Association (FHA) in Philadelphia resulted in a collection of Quaker artifacts, including a large number of garments, which now reside at the Atwater Kent Museum of Philadelphia. This thesis first examines the definitions of Quaker dress established in clothing scholarship looking to Amelia Gummere's work. It then explores the development of the FHA collection as a Colonial Revival institution which used ancestral clothing to fashion Quaker identity in pageants and tableaux during the early twentieth century. Finally, this thesis interprets the construction and use of selected nineteenth-century women's garments as primary evidence in support of continuing discussions about degrees of "Quakerness" in Friends' clothing.
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