語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
"Freedom from the Earth's gravity": ...
~
Heisler, Wayne, Jr.
FindBook
Google Book
Amazon
博客來
"Freedom from the Earth's gravity": The ballet collaborations of Richard Strauss (Germany).
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
"Freedom from the Earth's gravity": The ballet collaborations of Richard Strauss (Germany)./
作者:
Heisler, Wayne, Jr.
面頁冊數:
238 p.
附註:
Source: Dissertation Abstracts International, Volume: 65-12, Section: A, page: 4393.
Contained By:
Dissertation Abstracts International65-12A.
標題:
Music. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3156043
ISBN:
0496166360
"Freedom from the Earth's gravity": The ballet collaborations of Richard Strauss (Germany).
Heisler, Wayne, Jr.
"Freedom from the Earth's gravity": The ballet collaborations of Richard Strauss (Germany).
- 238 p.
Source: Dissertation Abstracts International, Volume: 65-12, Section: A, page: 4393.
Thesis (Ph.D.)--Princeton University, 2005.
Richard Strauss is rarely thought of as a dance composer, much less a balletomane. Nevertheless, he provided artistic input and musical accompaniment to a handful of ballets, including Josephslegende (The Legend of Joseph, Paris and London 1914), choreography by Vaslav Nijinsky and, later, Michel Fokine; an evening-length Ballettsoiree (Vienna 1923), choreography by Heinrich Kroller; Schlagobers (Whipped Cream, Vienna 1924), also with dances by Kroller; and Verklungene Feste: Tanzvisionen aus Zwei Jahrhunderten (Faded Celebrations: Dance Visions from Two Centuries, Munich 1941), choreography by Pia and Pino Mlakar after Baroque dances notated by Raoul Auger Feuillet (1700), and with Strauss's orchestral arrangements of keyboard pieces by Francois Couperin. The resulting scores might seem marginal in comparison with Strauss's canonical symphonic poems and operas. I demonstrate, however, that this composer was attracted to ballet throughout his career, beginning with a series of unrealized projects in the 1890s that culminated with Die Insel Kythere (The Island of Cythere, ca. 1900, unfinished). These fragmentary works effectively served as blueprints for Strauss's later, completed ballet collaborations.
ISBN: 0496166360Subjects--Topical Terms:
516178
Music.
"Freedom from the Earth's gravity": The ballet collaborations of Richard Strauss (Germany).
LDR
:03417nmm 2200325 4500
001
1812363
005
20060424072431.5
008
130610s2005 eng d
020
$a
0496166360
035
$a
(UnM)AAI3156043
035
$a
AAI3156043
040
$a
UnM
$c
UnM
100
1
$a
Heisler, Wayne, Jr.
$3
1901912
245
1 0
$a
"Freedom from the Earth's gravity": The ballet collaborations of Richard Strauss (Germany).
300
$a
238 p.
500
$a
Source: Dissertation Abstracts International, Volume: 65-12, Section: A, page: 4393.
500
$a
Advisers: Carolyn Abbate; Simon Morrison.
502
$a
Thesis (Ph.D.)--Princeton University, 2005.
520
$a
Richard Strauss is rarely thought of as a dance composer, much less a balletomane. Nevertheless, he provided artistic input and musical accompaniment to a handful of ballets, including Josephslegende (The Legend of Joseph, Paris and London 1914), choreography by Vaslav Nijinsky and, later, Michel Fokine; an evening-length Ballettsoiree (Vienna 1923), choreography by Heinrich Kroller; Schlagobers (Whipped Cream, Vienna 1924), also with dances by Kroller; and Verklungene Feste: Tanzvisionen aus Zwei Jahrhunderten (Faded Celebrations: Dance Visions from Two Centuries, Munich 1941), choreography by Pia and Pino Mlakar after Baroque dances notated by Raoul Auger Feuillet (1700), and with Strauss's orchestral arrangements of keyboard pieces by Francois Couperin. The resulting scores might seem marginal in comparison with Strauss's canonical symphonic poems and operas. I demonstrate, however, that this composer was attracted to ballet throughout his career, beginning with a series of unrealized projects in the 1890s that culminated with Die Insel Kythere (The Island of Cythere, ca. 1900, unfinished). These fragmentary works effectively served as blueprints for Strauss's later, completed ballet collaborations.
520
$a
Through the latter, I explore a number of issues that nuance the popular, critical and academic reception of Strauss and his relationship to modernism in music and dance: collective creation, parody and self-parody in Josephslegende (Chapter One); interwar Viennese cultural politics, kitsch and degeneration in relation to the Ballettsoiree and Schlagobers (Chapter Two); and in Verklungene Feste, music arranging, pastiche, and the fraught conceit of dance and music as transcendent art forms (Chapter Three).
520
$a
When Strauss's ballet music is considered in conjunction with choreographic and scenic evidence, these collaborations chronicle his gradual aesthetic transformation, from a parodic (and characteristically modern) conception of classical dance with the Ballets russes to a belated obsession with Romantic ballet. It is this latter epoch of dance that Strauss explicitly identified as a form of escapism from the political and cultural tumult spurred on by the two world wars. Ultimately, it provided him with the setting for a modest commentary on the ephemerality of bodily movement and music---his own as well as the creations of other artists, both historic and modern.
590
$a
School code: 0181.
650
4
$a
Music.
$3
516178
650
4
$a
Dance.
$3
610547
650
4
$a
History, European.
$3
1018076
690
$a
0413
690
$a
0378
690
$a
0335
710
2 0
$a
Princeton University.
$3
645579
773
0
$t
Dissertation Abstracts International
$g
65-12A.
790
1 0
$a
Abbate, Carolyn,
$e
advisor
790
1 0
$a
Morrison, Simon,
$e
advisor
790
$a
0181
791
$a
Ph.D.
792
$a
2005
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3156043
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9203234
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入