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Pyotr Ilyich Tchaikovsky's "Manfred ...
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Conejero, Vivian.
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Pyotr Ilyich Tchaikovsky's "Manfred Symphony", Opus 58: A conductor's analysis and performance guide (Russia).
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Pyotr Ilyich Tchaikovsky's "Manfred Symphony", Opus 58: A conductor's analysis and performance guide (Russia)./
作者:
Conejero, Vivian.
面頁冊數:
162 p.
附註:
Source: Dissertation Abstracts International, Volume: 65-11, Section: A, page: 4039.
Contained By:
Dissertation Abstracts International65-11A.
標題:
Music. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3155729
ISBN:
0496162578
Pyotr Ilyich Tchaikovsky's "Manfred Symphony", Opus 58: A conductor's analysis and performance guide (Russia).
Conejero, Vivian.
Pyotr Ilyich Tchaikovsky's "Manfred Symphony", Opus 58: A conductor's analysis and performance guide (Russia).
- 162 p.
Source: Dissertation Abstracts International, Volume: 65-11, Section: A, page: 4039.
Thesis (D.A.)--New York University, 2005.
Through the insistence of his mentor, Mily Balakirev, and inspired by Lord Byron's dramatic poem, Tchaikovsky (1840--93) composed his Manfred Symphony in 1885---seven years after his Fourth Symphony and three years before his Fifth.
ISBN: 0496162578Subjects--Topical Terms:
516178
Music.
Pyotr Ilyich Tchaikovsky's "Manfred Symphony", Opus 58: A conductor's analysis and performance guide (Russia).
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Source: Dissertation Abstracts International, Volume: 65-11, Section: A, page: 4039.
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Chair: Esther Lamneck.
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Thesis (D.A.)--New York University, 2005.
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Through the insistence of his mentor, Mily Balakirev, and inspired by Lord Byron's dramatic poem, Tchaikovsky (1840--93) composed his Manfred Symphony in 1885---seven years after his Fourth Symphony and three years before his Fifth.
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Manfred, Op. 58 has been recognized by Tchaikovsky scholars, such as Henry S. Zajaczkowski and David Brown among others, as an important, pivotal work, where the composer's late-period style characteristics are initially manifested.
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The performance and recorded history of Manfred Symphony evidences that this composition has been subjected to excisions, orchestral retouching, and even recomposing by a number of noted conductors (such as Arturo Toscanini, Paul Kleztki, and Yuri Temirkanov) in their attempts at correcting what they perceived as compositional shortcomings. Tchaikovsky's structural designs and, in particular, that of this Symphony's protracted and multi-sectional finale constitute the primary targets of such subjective interpretational approaches.
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The findings of the present study reveal Pyotr Illyich Tchaikovsky's Manfred Symphony, Op. 58 to be a most excellent specimen in the genre of program symphony, representing a masterful reconciliation of programmatic intentions with structural expectations. Tchaikovsky achieved this goal to the highest degree in the first movement, where the program to follow is of a very general nature, thus permitting the composer considerable freedom in organizing his musical ideas. By contrast, the other three movements are less convincing either musically or emotionally. The Symphony's finale, being the one that bears the heaviest programmatic burden, displays a musical form, remarkable for its looseness and unpredictability.
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Partly compensating for any structural shortcomings, this epic musical work---lasting nearly an hour in performance---attains unity through the common Romantic technique of cyclic themes, of which this work exhibits two: the Manfred motto and the Astarte music.
520
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The execution of an analysis of the work as well as of the composer's musical style aids in formulating valid musical interpretations. Analysis of musical structure---and of its concomitant tonal plan---is of paramount importance for a successful musical performance, since such analysis yields the essential knowledge that clarifies the musical structure, grants direction to the performance, and illuminates fine detail.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3155729
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