語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Superstudio and the staging of archi...
~
Ross, Elfline Kenneth.
FindBook
Google Book
Amazon
博客來
Superstudio and the staging of architecture's disappearance.
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Superstudio and the staging of architecture's disappearance./
作者:
Ross, Elfline Kenneth.
面頁冊數:
331 p.
附註:
Source: Dissertation Abstracts International, Volume: 71-02, Section: A, page: 0371.
Contained By:
Dissertation Abstracts International71-02A.
標題:
Art History. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3394885
ISBN:
9781109628630
Superstudio and the staging of architecture's disappearance.
Ross, Elfline Kenneth.
Superstudio and the staging of architecture's disappearance.
- 331 p.
Source: Dissertation Abstracts International, Volume: 71-02, Section: A, page: 0371.
Thesis (Ph.D.)--University of California, Los Angeles, 2009.
This dissertation considers the groundbreaking work of the Italian architecture collective Superstudio (active 1968--78) in order to narrate an important shift in architectural practice away from designing buildings and toward the nomination of myriad non-tectonic pursuits as architecture. In an attempt to divorce themselves from what they perceived as a corrupt discipline, the six members of Superstudio replaced construction with a profusion of alternative mediums: including furniture, magazine works, films and temporary museum installations. Architecture, they claimed, had become complicit with late capitalist land development and status production and had relinquished its obligation to provide affordable housing to Italy's middle and lower classes. Superstudio, thus, as a political act, consciously withdrew from building while remaining within the discipline of architecture as a virus. By producing objects and engaging in activities once considered merely ancillary to the profession, the group questioned the discipline's injunction to build while making a claim for the architectural implications of the new mediums they employed. This dissertation, proceeding in a medium-specific manner, considers what it means to conceive of furniture objects, magazine spreads, museum installations and, ultimately, everyday life itself as new forms of architecture. This study has renewed relevance for the discipline of architecture as it continues to see its influence expand beyond building into every realm of daily existence.
ISBN: 9781109628630Subjects--Topical Terms:
635474
Art History.
Superstudio and the staging of architecture's disappearance.
LDR
:02436nam 2200289 4500
001
1405724
005
20111214134935.5
008
130515s2009 ||||||||||||||||| ||eng d
020
$a
9781109628630
035
$a
(UMI)AAI3394885
035
$a
AAI3394885
040
$a
UMI
$c
UMI
100
1
$a
Ross, Elfline Kenneth.
$3
1685130
245
1 0
$a
Superstudio and the staging of architecture's disappearance.
300
$a
331 p.
500
$a
Source: Dissertation Abstracts International, Volume: 71-02, Section: A, page: 0371.
500
$a
Adviser: Miwon Kwon.
502
$a
Thesis (Ph.D.)--University of California, Los Angeles, 2009.
520
$a
This dissertation considers the groundbreaking work of the Italian architecture collective Superstudio (active 1968--78) in order to narrate an important shift in architectural practice away from designing buildings and toward the nomination of myriad non-tectonic pursuits as architecture. In an attempt to divorce themselves from what they perceived as a corrupt discipline, the six members of Superstudio replaced construction with a profusion of alternative mediums: including furniture, magazine works, films and temporary museum installations. Architecture, they claimed, had become complicit with late capitalist land development and status production and had relinquished its obligation to provide affordable housing to Italy's middle and lower classes. Superstudio, thus, as a political act, consciously withdrew from building while remaining within the discipline of architecture as a virus. By producing objects and engaging in activities once considered merely ancillary to the profession, the group questioned the discipline's injunction to build while making a claim for the architectural implications of the new mediums they employed. This dissertation, proceeding in a medium-specific manner, considers what it means to conceive of furniture objects, magazine spreads, museum installations and, ultimately, everyday life itself as new forms of architecture. This study has renewed relevance for the discipline of architecture as it continues to see its influence expand beyond building into every realm of daily existence.
590
$a
School code: 0031.
650
4
$a
Art History.
$3
635474
650
4
$a
Design and Decorative Arts.
$3
1024640
650
4
$a
Architecture.
$3
523581
690
$a
0377
690
$a
0389
690
$a
0729
710
2
$a
University of California, Los Angeles.
$3
626622
773
0
$t
Dissertation Abstracts International
$g
71-02A.
790
1 0
$a
Kwon, Miwon,
$e
advisor
790
$a
0031
791
$a
Ph.D.
792
$a
2009
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3394885
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9168863
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入