東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Gypsy music in Kosovo: Interaction a...

Pettan, Svanibor Hubert.

Linked to FindBook

Google Book

Amazon

博客來

Gypsy music in Kosovo: Interaction and creativity.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Gypsy music in Kosovo: Interaction and creativity./
Author:	Pettan, Svanibor Hubert.
Description:	327 p.
Notes:	Source: Dissertation Abstracts International, Volume: 54-01, Section: A, page: 0022.
Contained By:	Dissertation Abstracts International54-01A.
Subject:	Anthropology, Cultural. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9304289

Gypsy music in Kosovo: Interaction and creativity.
Pettan, Svanibor Hubert.

Gypsy music in Kosovo: Interaction and creativity. - 327 p.

Source: Dissertation Abstracts International, Volume: 54-01, Section: A, page: 0022.

Thesis (Ph.D.)--University of Maryland, Baltimore County, 1992.

Gypsy musicians in Kosovo, the multi-ethnic province of former Yugoslavia, interact with all ethnic groups in the province. This musical interaction is presented through the analogy of a trade. Gypsy musicians acquire repertory from various sources, transform it, and sell it to their patrons.Subjects--Topical Terms:

735016
Anthropology, Cultural.

Gypsy music in Kosovo: Interaction and creativity.
LDR:02539nam 2200313 4500 001 1405453
005 20111207080536.5
008 130515s1992 ||||||||||||||||| ||eng d
035 $a (UMI)AAI9304289
035 $a AAI9304289
040 $a UMI $c UMI
100 1 $a Pettan, Svanibor Hubert. $3 1684819
245 1 0 $a Gypsy music in Kosovo: Interaction and creativity.
300 $a 327 p.
500 $a Source: Dissertation Abstracts International, Volume: 54-01, Section: A, page: 0022.
500 $a Director: Jozef M. Pacholczyk.
502 $a Thesis (Ph.D.)--University of Maryland, Baltimore County, 1992.
520 $a Gypsy musicians in Kosovo, the multi-ethnic province of former Yugoslavia, interact with all ethnic groups in the province. This musical interaction is presented through the analogy of a trade. Gypsy musicians acquire repertory from various sources, transform it, and sell it to their patrons.
520 $a In the process of acquisition Gypsies show preference for the music of Turkish and Modern styles and rejection for the music of Pre-Turkish style. I identify four principal sources of acquisition in the 1980s as Indian film music, Turkish popular music, Bosnian and Serbian newly composed folk music, and Bulgarian Gypsy music.
520 $a In the process of selling Gypsy musicians select specific tunes that are appreciated by their patrons, perform them on specific instruments, adjust the price and behavior, and even wear special costumes. The adjustments reflect the traditional attitudes among the ethnic communities in Kosovo, as well as the new attitudes developed during the recent outburst of inter-ethnic animosities.
520 $a In the process of transformation Gypsy musicians can change all musical parameters. The tunes can be performed by different media, form can be altered, melody can be simplified or enriched, rhythm changed, tempo increased or reduced, lyrics omitted or replaced by other, sometimes in a different language. Despite some common level of aesthetics, the direction of change is not constant, indicating that Gypsies do not adapt tune to any specific musical standard. The change itself, the variation, often in a form of improvisation, is a value. It is in this variation that I see the Gypsy creativity.
590 $a School code: 0434.
650 4 $a Anthropology, Cultural. $3 735016
650 4 $a Folklore. $3 528224
650 4 $a Music. $3 516178
690 $a 0326
690 $a 0358
690 $a 0413
710 2 $a University of Maryland, Baltimore County. $3 743195
773 0 $t Dissertation Abstracts International $g 54-01A.
790 1 0 $a Pacholczyk, Jozef M., $e advisor
790 $a 0434
791 $a Ph.D.
792 $a 1992
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9304289