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Cultural capital, critical theory, a...

Custis, Ebony Rose.

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Cultural capital, critical theory, and motivation for participation in Capoeira Angola.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Cultural capital, critical theory, and motivation for participation in Capoeira Angola./
作者:	Custis, Ebony Rose.
面頁冊數:	118 p.
附註:	Source: Masters Abstracts International, Volume: 47-02, page: 0806.
Contained By:	Masters Abstracts International47-02.
標題:	Anthropology, Cultural. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1457559
ISBN:	9780549866664

Cultural capital, critical theory, and motivation for participation in Capoeira Angola.
Custis, Ebony Rose.

Cultural capital, critical theory, and motivation for participation in Capoeira Angola. - 118 p.

Source: Masters Abstracts International, Volume: 47-02, page: 0806.

Thesis (M.A.)--Howard University, 2008.

Capoeira Angola (CA) is an internationally practiced Afro-Brazilian art form including song, instruments, dance, spirituality, and play-fighting. This study tested the ability of Bourdieu's theory of cultural capital and critical theory to explain motivation for participation in CA.

ISBN: 9780549866664Subjects--Topical Terms:

735016
Anthropology, Cultural.

Cultural capital, critical theory, and motivation for participation in Capoeira Angola.
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245 1 0 $a Cultural capital, critical theory, and motivation for participation in Capoeira Angola.
300 $a 118 p.
500 $a Source: Masters Abstracts International, Volume: 47-02, page: 0806.
500 $a Advisers: Rebecca Reviere; Arvilla Payne-Jackson.
500 $a Includes supplementary digital materials.
502 $a Thesis (M.A.)--Howard University, 2008.
520 $a Capoeira Angola (CA) is an internationally practiced Afro-Brazilian art form including song, instruments, dance, spirituality, and play-fighting. This study tested the ability of Bourdieu's theory of cultural capital and critical theory to explain motivation for participation in CA.
520 $a Four methods (participant observation, free lists, pile sorts, semi-structured interviews) explored individual conceptions of and/or motivations to participate in CA. The sequential use of a mixed qualitative methodology widens the use of theory and practice in sociological studies examining cultural and artistic practices.
520 $a Pile sort analysis with ANTHROPAC software, data visualization with NetDraw diagrams, and analysis of interview responses contributed to revealing the content, limits and structural elements of the cultural domain of CA for ICAF students. The cultural domain and motivation for participation are best explained by critical theory in that they reflect a clear vision for social change through community development, celebration of cultural heritage, resistance to cultural domination, and empowerment.
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