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Passages: Writing Diasporic Identit...

Vassil, Kristina S.

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Passages: Writing Diasporic Identity in the Literature of Early Twentieth-Century Japanese America.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Passages: Writing Diasporic Identity in the Literature of Early Twentieth-Century Japanese America./
作者:	Vassil, Kristina S.
面頁冊數:	271 p.
附註:	Source: Dissertation Abstracts International, Volume: 72-08, Section: A, page: .
Contained By:	Dissertation Abstracts International72-08A.
標題:	Literature, Modern. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3459069
ISBN:	9781124687551

Passages: Writing Diasporic Identity in the Literature of Early Twentieth-Century Japanese America.
Vassil, Kristina S.

Passages: Writing Diasporic Identity in the Literature of Early Twentieth-Century Japanese America. - 271 p.

Source: Dissertation Abstracts International, Volume: 72-08, Section: A, page: .

Thesis (Ph.D.)--University of Michigan, 2011.

This dissertation aims to disrupt established notions of Asian Studies and Asian American Studies by focusing on four early twentieth-century Japanese language texts that do not fit neatly into either field. Using the concept of diasporic literature---where stories are set in other locations while revealing a continuing dialogue with the "homeland"---I examine Hozaka Kiichi's Wagahai no mitaru Amerika (Amerika as I see it), Okina Kyuin's theory and practice of iminchi bungei (immigrant land literature), Nagai Kafu's Amerika monogalari (American Stories) and Maedako Hiroichiro's Santo senkyaku (Third-class passengers). This framework allows work written by canonical "Japanese" authors like Kafu and Maedako to be put into a productive dialogue with that of "Japanese American" authors like Okina and Hozaka. Through readings that deeply engage early twentieth-century American and Japanese historical and ideological contexts, I bring out the nuanced understanding of Japanese immigrant communities contained in these texts, one that underscores cleavages based on class, status, language, and region. Investigations of the four texts also show how the literary products of diasporic populations incisively critique (and sometimes celebrate) the spaces that they inhabit and how they engage the possibility of flexible identities.

ISBN: 9781124687551Subjects--Topical Terms:

624011
Literature, Modern.

Passages: Writing Diasporic Identity in the Literature of Early Twentieth-Century Japanese America.
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500 $a Adviser: Ken K. Ito.
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520 $a This dissertation aims to disrupt established notions of Asian Studies and Asian American Studies by focusing on four early twentieth-century Japanese language texts that do not fit neatly into either field. Using the concept of diasporic literature---where stories are set in other locations while revealing a continuing dialogue with the "homeland"---I examine Hozaka Kiichi's Wagahai no mitaru Amerika (Amerika as I see it), Okina Kyuin's theory and practice of iminchi bungei (immigrant land literature), Nagai Kafu's Amerika monogalari (American Stories) and Maedako Hiroichiro's Santo senkyaku (Third-class passengers). This framework allows work written by canonical "Japanese" authors like Kafu and Maedako to be put into a productive dialogue with that of "Japanese American" authors like Okina and Hozaka. Through readings that deeply engage early twentieth-century American and Japanese historical and ideological contexts, I bring out the nuanced understanding of Japanese immigrant communities contained in these texts, one that underscores cleavages based on class, status, language, and region. Investigations of the four texts also show how the literary products of diasporic populations incisively critique (and sometimes celebrate) the spaces that they inhabit and how they engage the possibility of flexible identities.
520 $a In Chapter One, I introduce the work of Hozaka Kiichi and reveal how it manifests a diasporic trajectory of return by attempting to intensify the connections between American Japanese residents and the Japanese homeland through ideological discourse, rhetorical storytelling and paratextual representations. Chapter Two discusses Okina Kyuin's concept of iminchi bungei, a pioneering mode of literary production incorporating both American and Japanese political and religious discourses, which strove to rise above, but was inevitably grounded in, concepts of the nation. In Chapter Three, on Nagai Kafu's Amerika monogatari, I analyze the writers' experimentation with narrative voice and embedded narratives to present accounts of a "Japan" and an "America" fragmented by racial, class, status and regional differences. Chapter Four discusses Maedako Hiroichiro's early proletarian piece Santo senkyaku and shows how boredom, nostalgia and aesthetic appropriations of the nation unify the third-class passenger collective. In addition to producing a variegated view of the prewar Japanese immigrant community, historicized readings of the four texts also explore the possibility of return in writing that results from the passages of people and discourses across borders and oceans.
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