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Kugagui segyehwa: Contemporary "trad...

Chang, Yoonhee.

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Kugagui segyehwa: Contemporary "traditional" music and globalization in South Korea.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Kugagui segyehwa: Contemporary "traditional" music and globalization in South Korea./
Author:	Chang, Yoonhee.
Description:	216 p.
Notes:	Source: Dissertation Abstracts International, Volume: 71-11, Section: A, page: 3838.
Contained By:	Dissertation Abstracts International71-11A.
Subject:	Anthropology, Cultural. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3423570
ISBN:	9781124246093

Kugagui segyehwa: Contemporary "traditional" music and globalization in South Korea.
Chang, Yoonhee.

Kugagui segyehwa: Contemporary "traditional" music and globalization in South Korea. - 216 p.

Source: Dissertation Abstracts International, Volume: 71-11, Section: A, page: 3838.

Thesis (Ph.D.)--Indiana University, 2010.

My dissertation investigates the contradiction and ambivalence of preserving traditional music, called kugak, in the face of globalization in South Korea. The research focuses on the continuing discourse about music and identity as well as Koreans' ideas about Korean values in music. I note how globalized music has become a vessel for the expression of Korean identity, concerned about the nation, region, and world. I also argue that the meaning of a nation's traditional music and its aesthetic values have long been changed and constructed in reaction to transnational or global forces, rather than the music being merely an inherited set of sounds.

ISBN: 9781124246093Subjects--Topical Terms:

735016
Anthropology, Cultural.

Kugagui segyehwa: Contemporary "traditional" music and globalization in South Korea.
LDR:03254nam 2200385 4500 001 1398842
005 20110915090244.5
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020 $a 9781124246093
035 $a (UMI)AAI3423570
035 $a AAI3423570
040 $a UMI $c UMI
100 1 $a Chang, Yoonhee. $3 1677755
245 1 0 $a Kugagui segyehwa: Contemporary "traditional" music and globalization in South Korea.
300 $a 216 p.
500 $a Source: Dissertation Abstracts International, Volume: 71-11, Section: A, page: 3838.
500 $a Adviser: Ruth M. Stone.
502 $a Thesis (Ph.D.)--Indiana University, 2010.
520 $a My dissertation investigates the contradiction and ambivalence of preserving traditional music, called kugak, in the face of globalization in South Korea. The research focuses on the continuing discourse about music and identity as well as Koreans' ideas about Korean values in music. I note how globalized music has become a vessel for the expression of Korean identity, concerned about the nation, region, and world. I also argue that the meaning of a nation's traditional music and its aesthetic values have long been changed and constructed in reaction to transnational or global forces, rather than the music being merely an inherited set of sounds.
520 $a Ethnographic research is the primary methodology used in this study, which also includes fieldwork and tape-recorded interviews. By looking at the two most recent and remarkable happenings in the kugak field---the first and only independent college of kugak, and an innovative government-sponsored music band, Sorea---this dissertation explores the roles and voices of people involved in musical change and continuity.
520 $a The opening chapter examines the socio-historical background of kugak as the nation's music. Chapter two looks at how Sorea has transformed old music, revitalized tradition, and recovered "local" music. Chapter three asserts the multiple voices of the planners, producers, musicians, and audience members of Sorea, paying attention to their different views in constructing kugak in relation to their continual assessment of national sentiments. Chapter four analyzes the patterns and role models for how kugak is processed and developed in College education.
520 $a Ethnographic, historical, and analytical in its approach, this research suggests that the meanings and identity of Korean music, including its "authentic Korean values" and "traditional aesthetics," are invented and negotiated through musical activities that are now justified as the "globalization of kugak." The ideas of national, Asian, and the world's music are overlapping and compatible in Korea's traditional music and its development.
590 $a School code: 0093.
650 4 $a Anthropology, Cultural. $3 735016
650 4 $a Asian Studies. $3 1669375
650 4 $a Music. $3 516178
650 4 $a Sociology, Social Structure and Development. $3 1017425
690 $a 0326
690 $a 0342
690 $a 0413
690 $a 0700
710 2 $a Indiana University. $b Folklore and Ethnomusicology. $3 1028123
773 0 $t Dissertation Abstracts International $g 71-11A.
790 1 0 $a Stone, Ruth M., $e advisor
790 1 0 $a Janelli, Roger L. $e committee member
790 1 0 $a Tuohy, Sue $e committee member
790 1 0 $a Lasocki, David $e committee member
790 1 0 $a Robinson, Michael E. $e committee member
790 $a 0093
791 $a Ph.D.
792 $a 2010
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3423570