語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
The creative destruction of the "win...
~
Strachan, Ian.
FindBook
Google Book
Amazon
博客來
The creative destruction of the "winner-take-all" society? Property rights and the economics of the long tail in the music industry.
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
The creative destruction of the "winner-take-all" society? Property rights and the economics of the long tail in the music industry./
作者:
Strachan, Ian.
面頁冊數:
143 p.
附註:
Source: Dissertation Abstracts International, Volume: 72-02, Section: A, page: 0685.
Contained By:
Dissertation Abstracts International72-02A.
標題:
Music. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3433729
ISBN:
9781124397412
The creative destruction of the "winner-take-all" society? Property rights and the economics of the long tail in the music industry.
Strachan, Ian.
The creative destruction of the "winner-take-all" society? Property rights and the economics of the long tail in the music industry.
- 143 p.
Source: Dissertation Abstracts International, Volume: 72-02, Section: A, page: 0685.
Thesis (Ph.D.)--Colorado State University, 2010.
Technological change has always impacted the music industry, which is now absorbing the destructive effects of the digital revolution. The Internet and MP3s have allowed for illegal downloading and file sharing. For producers, revenue streams have run dry because consumers can get their music for free. The old property rights regime has been eroded for incumbents and a market failure is imminent. But the digital revolution also has the potential to create opportunity for entrepreneurial artists and firms who are able to utilize new technology for disseminating their content. This dissertation utilizes a random sample of recorded music unit sales for 2,051 artists from 2004 to 2008. The data is used to test if the digital revolution has created a 'long tail effect' where less popular and nascent artists enjoy more sales, or a 'superstar effect' where a small number of top artists take the lion's share of sales. I find that the market is characterized by an extremely skewed sales distribution profile which reaches a peak in both sales and inequality in 2006 while sales and inequality decline thereafter. I also find a superstar effect in digital formats and a long tail effect in non-digital formats across all five years. The 'middle class' of artists also declines steadily. For property rights, these changes in the sales distribution profile highlight the importance of retaining excludability through bundling content together. Bundling can still be facilitated by copyright collectives and intermediaries.
ISBN: 9781124397412Subjects--Topical Terms:
516178
Music.
The creative destruction of the "winner-take-all" society? Property rights and the economics of the long tail in the music industry.
LDR
:02657nam 2200325 4500
001
1398651
005
20110914100010.5
008
130515s2010 ||||||||||||||||| ||eng d
020
$a
9781124397412
035
$a
(UMI)AAI3433729
035
$a
AAI3433729
040
$a
UMI
$c
UMI
100
1
$a
Strachan, Ian.
$3
1677536
245
1 4
$a
The creative destruction of the "winner-take-all" society? Property rights and the economics of the long tail in the music industry.
300
$a
143 p.
500
$a
Source: Dissertation Abstracts International, Volume: 72-02, Section: A, page: 0685.
500
$a
Adviser: Ronnie J. Phillips.
502
$a
Thesis (Ph.D.)--Colorado State University, 2010.
520
$a
Technological change has always impacted the music industry, which is now absorbing the destructive effects of the digital revolution. The Internet and MP3s have allowed for illegal downloading and file sharing. For producers, revenue streams have run dry because consumers can get their music for free. The old property rights regime has been eroded for incumbents and a market failure is imminent. But the digital revolution also has the potential to create opportunity for entrepreneurial artists and firms who are able to utilize new technology for disseminating their content. This dissertation utilizes a random sample of recorded music unit sales for 2,051 artists from 2004 to 2008. The data is used to test if the digital revolution has created a 'long tail effect' where less popular and nascent artists enjoy more sales, or a 'superstar effect' where a small number of top artists take the lion's share of sales. I find that the market is characterized by an extremely skewed sales distribution profile which reaches a peak in both sales and inequality in 2006 while sales and inequality decline thereafter. I also find a superstar effect in digital formats and a long tail effect in non-digital formats across all five years. The 'middle class' of artists also declines steadily. For property rights, these changes in the sales distribution profile highlight the importance of retaining excludability through bundling content together. Bundling can still be facilitated by copyright collectives and intermediaries.
590
$a
School code: 0053.
650
4
$a
Music.
$3
516178
650
4
$a
Business Administration, Entrepreneurship.
$3
1026793
650
4
$a
Economics, General.
$3
1017424
690
$a
0413
690
$a
0429
690
$a
0501
710
2
$a
Colorado State University.
$b
Economics.
$3
1677537
773
0
$t
Dissertation Abstracts International
$g
72-02A.
790
1 0
$a
Phillips, Ronnie J.,
$e
advisor
790
1 0
$a
Graff, Gregory D.
$e
committee member
790
1 0
$a
Jianakoplos, Nancy
$e
committee member
790
1 0
$a
Mushinski, David
$e
committee member
790
$a
0053
791
$a
Ph.D.
792
$a
2010
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3433729
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9161790
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入