東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

As film is, so goes the novel: The i...

Aykol, Ece.

FindBook

Google Book

Amazon

博客來

As film is, so goes the novel: The image, film ekphrasis, and history in the contemporary novel.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	As film is, so goes the novel: The image, film ekphrasis, and history in the contemporary novel./
作者:	Aykol, Ece.
面頁冊數:	165 p.
附註:	Source: Dissertation Abstracts International, Volume: 72-01, Section: A, page: 0188.
Contained By:	Dissertation Abstracts International72-01A.
標題:	Literature, Modern. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3427816
ISBN:	9781124329215

As film is, so goes the novel: The image, film ekphrasis, and history in the contemporary novel.
Aykol, Ece.

As film is, so goes the novel: The image, film ekphrasis, and history in the contemporary novel. - 165 p.

Source: Dissertation Abstracts International, Volume: 72-01, Section: A, page: 0188.

Thesis (Ph.D.)--City University of New York, 2010.

My dissertation studies the use of the verbal representation of analog film in the novels of contemporary writers Paul Auster, Adam Thorpe, and Orhan Pamuk. I look at these authors' use of the moving image in relation to the existing poetics of the ekphrasis of still images and art objects. Film, understood as the "temporalization of space," informs the way in which I interpret film ekphrasis different from the ekphrasis of still objects that "spatialize temporality." In trying to emulate this temporal art form with words, these authors create a poetics of film ekphrasis, which constitutes a representation of the past in the present continuous. Their allusion to the analog image enables them to find creative means of constructing history and memory. My study also addresses the "digital" image and explains how its construction of time differs from the analog image. In order to grasp the tension between the analog and digital, and to reveal how visual artists are responding to emerging technologies, I turn to the films of Jean-Luc Godard, Michel Gondry, and Wim Wenders, as well as to JoAnn Verburg's photographs and Sam Taylor Wood's mixed media art. Understanding current practices in the visual arts, I suggest, can produce interpretive strategies for the ekphrasis of digital films.

ISBN: 9781124329215Subjects--Topical Terms:

624011
Literature, Modern.

As film is, so goes the novel: The image, film ekphrasis, and history in the contemporary novel.
LDR:02424nam 2200349 4500 001 1398637
005 20110914100005.5
008 130515s2010 ||||||||||||||||| ||eng d
020 $a 9781124329215
035 $a (UMI)AAI3427816
035 $a AAI3427816
040 $a UMI $c UMI
100 1 $a Aykol, Ece. $3 1677520
245 1 0 $a As film is, so goes the novel: The image, film ekphrasis, and history in the contemporary novel.
300 $a 165 p.
500 $a Source: Dissertation Abstracts International, Volume: 72-01, Section: A, page: 0188.
500 $a Adviser: Gerhard Joseph.
502 $a Thesis (Ph.D.)--City University of New York, 2010.
520 $a My dissertation studies the use of the verbal representation of analog film in the novels of contemporary writers Paul Auster, Adam Thorpe, and Orhan Pamuk. I look at these authors' use of the moving image in relation to the existing poetics of the ekphrasis of still images and art objects. Film, understood as the "temporalization of space," informs the way in which I interpret film ekphrasis different from the ekphrasis of still objects that "spatialize temporality." In trying to emulate this temporal art form with words, these authors create a poetics of film ekphrasis, which constitutes a representation of the past in the present continuous. Their allusion to the analog image enables them to find creative means of constructing history and memory. My study also addresses the "digital" image and explains how its construction of time differs from the analog image. In order to grasp the tension between the analog and digital, and to reveal how visual artists are responding to emerging technologies, I turn to the films of Jean-Luc Godard, Michel Gondry, and Wim Wenders, as well as to JoAnn Verburg's photographs and Sam Taylor Wood's mixed media art. Understanding current practices in the visual arts, I suggest, can produce interpretive strategies for the ekphrasis of digital films.
590 $a School code: 0046.
650 4 $a Literature, Modern. $3 624011
650 4 $a Literature, Middle Eastern. $3 1018103
650 4 $a Literature, American. $3 1017657
650 4 $a Literature, English. $3 1017709
650 4 $a Cinema. $3 854529
690 $a 0298
690 $a 0315
690 $a 0591
690 $a 0593
690 $a 0900
710 2 $a City University of New York. $b English. $3 1020275
773 0 $t Dissertation Abstracts International $g 72-01A.
790 1 0 $a Joseph, Gerhard, $e advisor
790 1 0 $a Joseph, Gerhard $e committee member
790 1 0 $a Caws, Mary Ann $e committee member
790 1 0 $a Hitchcock, Peter $e committee member
790 $a 0046
791 $a Ph.D.
792 $a 2010
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3427816